Oona Doherty's Navy Blue at the Joyce Theater: too much talking

The cast of Oona Doherty's Navy Blue

Hilde Ingeborg and Tom Pistiner in Oona Doherty's Navy Blue

Por Erin Bomboy, 08 junio 2024

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“all cobalt blue light and meaningful thrums of music. If this is the afterlife, then sign me up”

Crítica hecha desde Joyce Theater, Nueva York el 6 junio 2024

Navy Blue (Oona Doherty)

Oona Doherty

T.R.A.S.H. attacks Montreal with its brutal brilliance

Nancy Berman, 5th March

First, a warning: if you are feeling at all emotionally fragile, do not go see T.R.A.S.H. this week at la Cinqième Salle at Place des Arts, Montreal. If, however, you consider your sanity unshakeable, don’t miss it... but don’t be surprised if you leave emotionally spent.Combining dance, theatre, and live original music, T.R.A.S.H. grew out of the alternative punk rock scene in Tilburg, Holland.

****1

Johnny Loves Johann, unevenly at the Joyce Theater

Carla Escoda, 14th April

Acclaimed violinist and 2024 MacArthur Fellow Johnny Gandelsman invited four choreographers to join him on a marathon through Bach's six cello suites. His musicianship was the highlight of the evening.

***11

Exhibitions of style: Hubbard Street Dance returns to New York

Carla Escoda, 31st March

Aszure Barton, Matthew Rushing, Bob Fosse and James Gregg make for an eclectic and mostly intriguing night with Chicago's Hubbard Street Dance at New York's Joyce Theatre.

****1

Ailey II dancers shine in ambitious mixed bill at the Joyce Theater

Carla Escoda, 18th March

In their penultimate stop on a US tour, Ailey's second company produced exceptional performances in an Ailey classic and four handsome new works.

****1

In New York, immersed in Noé Soulier’s The Waves

Carla Escoda, 4th March

A hypnotic evening with two percussionists and six dancers in Noé Soulier’s The Waves, inspired by the Virginia Woolf novel.

****1

Ronald K. Brown's Evidence at the Joyce makes you want to dance

Ivy Lin, 26th February

An evening of Ronald K. Brown's choreography for his own company, Evidence, brought infectious joy and had the audience dancing in the aisles.

*****

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Erin Bomboy

Erin Bomboy has been writing about dance since 2013. She trained as a classical ballet dancer and spent a decade as a professional competitive ballroom dancer. She holds an MFA in Dance Performance and Choreography from New York University Tisch School of the Arts, where she was mentored by Deborah Jowitt. She lives in New York City with her husband, daughter and fabulous Maine Coon cat. In her free time, Erin enjoys bacon, books, wine and working out.