Bachtrack logo
Programación
Todos los eventosConciertosÓperaDanzaNiñosClases magistralesConcursosFestivales
Críticas
Todas las críticasConciertosÓperaDanza
Artículos
Todos los articulosDossieresEntrevistasOpiniónPlaylist
Noticias
Video
HomeTodos los vídeosEventos en directoConciertosÓperaDanzaNiñosClases magistralesEditores
Site
Acerca de nosotrosContacte con nostrosEnlacesCondiciones de usoCookiesPolitica de la privacidad
Jóvenes artistas
Viajes
EventosCríticasArtículosVideo

Porgy and Bess: Marin Alsop celebrates the American melting pot in Philadelphia

Por Cameron Kelsall, 06 marzo 2020
Descargando, espere, por favor...
Ver la programación
“Alsop... drew out the various influences of jazz, ragtime, gospel, blues and vaudeville”
Crítica hecha desde Kimmel Center: Marian Anderson Hall, Philadelphia el 6 marzo 2020
Programa
Frank, Escaramuza
Montgomery, Coincident Dances
Gershwin, Porgy and Bess (Concert performance)
Intérpretes
Marin Alsop, Dirección
Angel Blue, Bess
Lester Lynch, Porgy
Chauncey Packer, Tenor
Kevin Short, Barítono
The Philadelphia Orchestra
Más críticas de Concierto
A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart
Cameron Kelsall, 11th April
Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.
****1
Energy, precision and drama from the Philadelphia Orchestra
Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.  

****1
Amy Beach’s Gaelic returns to Philadelphia after 100-year absence
Cameron Kelsall, 12th March
Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.
****1
When we dead awaken: Mahler 2 returns to Philadelphia
Cameron Kelsall, 8th March
Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.
*****
Hilary Hahn returns to the stage with the Philadelphia Orchestra
Cameron Kelsall, 13th February
After a six-month break to address persistent injuries, the bravura violinist appears in one of her signature pieces: Prokofiev's Violin Concerto no. 1.
***11
Rarities surround Tchaikovsky favorite at the Philadelphia Orchestra
Cameron Kelsall, 6th February
Concertmaster David Kim performs Tchaikovsky's ever-popular Violin Concerto, and conductor Rafael Payare revisits Falla's El amor brujo.
***11
Más críticas...
Leer críticas de
Angel BlueChauncey PackerCoincident DancesGabriela Lena FrankGeorge GershwinJessie MontgomeryKevin ShortLester LynchMarin AlsopPorgy and BessThe Philadelphia Orchestra
Artículos relacionados
Loading image...
En todo el mundo: estadísticas de la música clásica 2025 de Bachtrack
Loading image...
Maria por Angelina: Pablo Larraín habla sobre el biopic de Callas
Loading image...
Critics’ Choice 2023: ¿Quiénes son los mejores directores y orquestas del mundo?
Loading image...
Arriba el telón: Lisette Oropesa habla sobre "La traviata" con distancia social
Más escritos de Cameron Kelsall
Loading image...
A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia
Loading image...
A superb Salzburg sojourn: the Philadelphia Orchestra plays Mozart
Loading image...
Andris Nelsons and the BSO arrive in New York, with baggage in tow
Loading image...
Amy Beach’s Gaelic returns to the Philadelphia Orchestra after 100-year absence
Cameron Kelsall
Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.