Bach, Schumann and Schubert with Borletti-Buitoni Trust artists at Southbank Centre

Por Jack Smith, 20 mayo 2013

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Crítica hecha desde Queen Elizabeth Hall, Londres el 18 mayo 2013

Bach, Partita para violín núm. 3 en mi mayor, BWV1006

Schumann, Waldszenen, Op.82

Schubert, Quinteto con piano en la mayor, "La trucha", D.667

Dame Mitsuko Uchida, Piano

Alina Ibragimova, Violín

Hélène Clément, Viola

Nicolas Altstaedt, Violonchelo

Matthew McDonald, Contrabajo

Jonathan Biss, Piano

La ONE da lo mejor de sí: íntima y colosal entre Beethoven y Zemlinsky

Leonardo Mattana Ereño, 2nd December

Uno de los conciertos más destacados de lo que va de temporada que contó con la excepcional pianista Mitsuko Uchida y los solistas Christiane Karg y Christopher Maltman, a quienes la Orquesta Nacional complementó con una interpretación cuidada y equlibrada.

*****

Peerless Beethoven from Dame Mitsuko Uchida at Wigmore Hall

Vishnu Bachani, 12th October

Dame Mitsuko Uchida brings forth with crystal clarity Beethoven's masterful counterpoint and harmony in a recital of his last three piano sonatas.

****1

Uchida’s Beethoven meets Shostakovich’s farewell at Carnegie Hall

Edward Sava-Segal, 23rd April

Two incongruent journeys conclude as Dame Mitsuko Uchida and the Boston Symphony meet in New York.

****1

Delicacy at the cost of spark: Mitsuko Uchida with the Mahler CO

Mengguang Huang, 26th January

While Uchida’s performances showcase remarkable precision and refinement, they occasionally feel restrained, leaving room to explore the improvisatory charm that make Mozart’s music so compelling.

***11

Klaus Mäkelä retrouve le vrai visage de la Symphonie fantastique

Alain Lompech, 5th December

Après une première partie de concert un peu déroutante en compagnie de Mitsuko Uchida, le chef finlandais et son orchestre ont livré une version d'anthologie du chef-d'œuvre de Berlioz.

****1

Philadelphia Orchestra delivers memorable Carnegie Hall finale

Susan Stempleski, 31st May

In their final Carnegie Hall appearance of the season, the Philadelphians offered a superbly integrated program bookending a Valerie Coleman premiere with groundbreaking pieces by Ravel and Debussy.

****1

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Jack Smith