Razor sharp: Sweeney Todd at English National Opera

Por Charlotte Valori, 01 abril 2015

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“ENO are making a grand gesture. It is to herald a new return to musical theatre”

Crítica hecha desde The London Coliseum, Londres el 31 marzo 2015

Sondheim, Sweeney Todd (Semi-staged)

English National Opera

David Charles Abell, Dirección

Lonny Price, Dirección de escena

James Noone, Diseño de escena

Tracy Christensen, Diseño de vestuario

Sir Bryn Terfel, Sweeney Todd

Emma Thompson, Mrs Lovett

Katie Hall, Johanna Baker

Rosalie Craig, Beggar Woman

Matthew Seadon-Young, Anthony Hope

John Owen-Jones, Adolfo Pirelli

Jack North, Tobias Ragg

Alex Gaumond, Beadle Bamford

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David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

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Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

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Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

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Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

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Charlotte Valori

Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.