Tenebrae performs Tenebrae at the Sydney Festival

Por Zoltán Szabó, 23 enero 2020

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Crítica hecha desde City Recital Hall, Sídney el 21 enero 2020

Lobo, Versa est in luctum

Allegri, Miserere mei, Deus

Victoria, Tenebrae Responsories and Lamentations

Victoria, Requiem

Tenebrae

Nigel Short, Dirección musical

A Hymn of Heavenly Beauty: el coro Tenebrae deslumbra en Malta

Aaron Vincent, 10th January

El Valletta Baroque Festival acoge al coro Tenebrae con un programa de excepcional calidad, centrado en el barroco pero con ecos contemporáneos.

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Tenebrae sing Pärt, Tallis and Tavener at the Elbphilharmonie

Mengguang Huang, 23rd October

Tenebrae transforms the Elbphilharmonie into a living instrument, exploring centuries of choral music through spatialised sound, Pärt’s tintinnabuli, Renaissance masterpieces and contemporary innovations in a vivid acoustic experiment.

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Le Festival de Rocamadour, du trio jouissif au chœur introspectif

Thibault d'Hauthuille, 21st August

Dans le cadre imprévu du Palais des Congrès de Souillac, Félicien Brut, Lucienne Renaudin Vary et Thibaut Garcia ont enchanté le public, avant le concert plein de recueillement de Tenebrae avec La Sportelle.

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Time stands still in Vilde Frang’s Elgar

Mark Pullinger, 12th September

In an evening pairing two English classics, Sir Antonio Pappano conducts the London Symhony Orchestra in Elgar’s Violin Concerto and an out-of-this-world account of Holst’s The Planets.

*****

A rapt performance from Tenebrae in Joby Talbot’s Path of Miracles

David Truslove, 13th May

Thought-provoking and spine-tingling in equal measure, this performance of Joby Talbot’s pilgrimage work showcases Tenebrae as one of the UK’s most significant choral groups.

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A luminous start to Rachmaninov's anniversary year from Tenebrae

Benjamin Poore, 26th January

Nigel Short's elite consort casts a candlelit spell at St Martin-in-the-Fields in a performance of Rachmaninov's All Night Vigil.

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Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.