Usher House double bill fails to stand up

Por Simon Rees, 20 junio 2014

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Crítica hecha desde Wales Millennium Centre, Cardiff el 13 junio 2014

Getty, Usher House (World première)

Debussy, La Chute de la Maison Usher (British première of completion by Robert Orledge)

Welsh National Opera

Lawrence Foster, Dirección

Sir David Pountney, Dirección de escena

Niki Turner, Diseño de escena

Anna Gorbachyova, Madeline Usher, Lady Madeline

Jason Bridges, Edgar Allan Poe

Benjamin Bevan, Roderick Usher

Kevin Short, Doctor Primus

Mark Le Brocq, Le Médecin

William Dazeley, L’Ami

Robert Hayward, Roderick Usher

David Haneke, Videoarte

Welsh National Opera Orchestra

A magnificent Tosca from Welsh National Opera at the Mayflower

David Truslove, 3rd October

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw.

*****

Bancroft and BBCNOW at the Proms: a deeply satisfying Mahler 3

David Karlin, 11th August

Bancroft and the BBC National Orchestra of Wales provide a Mahler 3 of exceptional clarity and forward momentum, with terrific posthorn solos from Corey Morris and Beth Taylor an outstanding soloist.

****1

A dark and disturbing Rigoletto from WNO at the Mayflower

David Truslove, 14th November

Fine performances in a punchy new production that coats this tragic opera in a large dollop of debauchery.

****1

WNO stages Death in Venice for the first time and it’s a triumph

Mark Valencia, 7th March

Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.

*****

Musical performances keep WNO's new Così afloat

Mark Valencia, 6th March

Max Hoehn takes Così‘s subtitle, La scuola degli amanti (The School for Lovers), and connects it to Monty Python’s sex education sketch in The Meaning of Life. What larks, eh?

***11

Stacey Alleaume leads WNO's emotionally-charged Traviata

David Truslove, 24th November

Leading an international cast in a still-sumptuous revival in Southampton's Mayflower, Stacey Alleaume gives a sovereign performance as the ill-fated courtesan Violetta.

****1

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Simon Rees

Simon Rees writes programme articles and surtitles for most British opera companies, and reviews for Opera, Opera Now, Musical Opinion, Early Music Today and a wide range of other publications. A novelist, poet and librettist, from 1989 to 2012 he was dramaturg at Welsh National Opera. He lives in Cardiff.