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Denk contrasts Mozart and Beethoven with American works in fascinating 92Y recital

Por Sam Jacobson, 13 diciembre 2020
Descargando, espere, por favor...
“Denk made a convincing case for peppering Joplin rags with a modest swing”
Crítica hecha desde The 92nd Street Y: Kaufmann Concert Hall, Nueva York el 13 diciembre 2020
Programa
Mozart, Sonata para piano núm. 14 en do menor, K457
Wiggins, The Battle of Manassas
Joplin, Heliotrope Bouquet
Rzewski, Winnsboro Cotton-Mill Blues
Beethoven, Sonata para piano núm. 32 en do menor, Op.111
Intérpretes
Jeremy Denk, Piano
Más críticas de Concierto
Jeremy Denk surveys works by female composers in Oberlin
Sam Jacobson, 30th November
Jeremy Denk opens his recital with an intricately curated assortment of works by female composers, past and present.
***11
Beethoven marks the end of Tanglewood’s online festival
Edward Sava-Segal, 22nd August
Joshua Bell and Jeremy Denk bring out the poetry of Beethoven's violin sonatas.
****1
Jeremy Denk shares his passion for Schumann’s music
Edward Sava-Segal, 20th August
The American pianist conveys the unique character of Schumann's Davidsbündlertänze.
****1
Three from ’05: plenty to take away from the LPO’s latest 2020 Visions
Matthew Rye, 28th February

A rare Enescu symphony makes an appearance in the latest of the LPO’s year-long series exploring works across the centuries.

***11
Beethoven's last and Dohnanyi's first at Mostly Mozart
Linda Holt, 5th August
The Takács Quartet performed quartets by Beethoven and Mozart with insight and energy. Pianist Jeremy Denk joined the ensemble in Dohnányi’s lushly romantic Piano Quintet.
*****
Concerto night at Atlanta Symphony Hall
William E Ford, 4th April
Robert Spano leads the Atlanta Symphony Orchestra in a powerful performance of Gandolfi's inspired Imaginary Numbers.
****1
Más críticas...
Leer críticas de
Frederic RzewskiHeliotrope BouquetJeremy DenkLudwig van BeethovenScott JoplinSonata para piano núm. 14 en do menor, K457Sonata para piano núm. 32 en do menor, Op.111Winnsboro Cotton-Mill BluesWolfgang Amadeus Mozart
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Sam Jacobson
Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.