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Sala: Kennedy Center: Concert Hall, Washington

Datos
AddressWashington
DC DC 20566
Estados Unidos
Google maps38° 53' 44.891" N 77° 3' 20.408" W
abril 2026
lunmarmiéjueviesábdom
30310102030405
06070809101112
13141516171819
20212223242526
27282930010203
04050607080910
Función de tarde
Matiné
Próximos eventosVer más...

WashingtonOpera in Concert: Puccini’s Il trittico

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Puccini
National Symphony Orchestra; Gianandrea Noseda; Roman Burdenko; Sabrina Gárdez; Erika Grimaldi; Agnieszka Rehlis

WashingtonHisaishi conducts Hisaishi

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Unknown, Hisaishi
National Symphony Orchestra; Joe Hisaishi

WashingtonGaffigan conducts Appalachian Spring

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Ives, Copland
National Symphony Orchestra; James Gaffigan

WashingtonCann plays Coleman

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Dvořák, Coleman, Catherine Elizabeth, Lumar II, Gershwin
National Symphony Orchestra; Kellen Gray; Michelle Cann

WashingtonDalene plays Barber

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Barber, Gershwin
National Symphony Orchestra; Karen Kamensek; Johan Dalene
Últimas críticasVer más...

Young and Lamsma bring levity to National Symphony Orchestra

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

NSO triumphs with Boyer and Lang Lang

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

National Symphony makes a fine-sounding digital return to the stage

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

Rollicking Mahler Fifth may have just put NSO on the global map

Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra

Tetzlaff redefines clarity with the National Symphony Orchestra

Christian Tetzlaff proves once again why audiences can’t get enough of his sound in a program of Dvořák and Schumann with Christoph Eschenbach at the helm.

Copland’s Third Symphony redeems Slatkin and the NSO

After a humdrum reimagining of Paganini's 24th Caprice and an underwhelming Rachmaninov piano concerto, Slatkin triumphs with an august Copland 3.

Expanded Puts song cycle scores well for NSO

Kevin Puts’ expanded work on Georgia O’Keeffe and Alfred Steiglitz provides another triumph for Renée Fleming and the NSO, while two Strauss works demonstrate both its artistic re-emergence and work left to do.

A luxuriant Tristan und Isolde Act 2 from Noseda and the NSO

Wagner’s Liebestod-laden second act proves the ideal opera snapshot in Washington DC.