Young and Lamsma bring levity to National Symphony Orchestra

Por Sydney Boyd, 21 noviembre 2021

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“Lamsma took on the challenge with a bright timbre, almost brassy against the percussion”

Crítica hecha desde Kennedy Center: Concert Hall, Washington el 20 noviembre 2021

Pärt, Cantus in memoriam Benjamin Britten

Britten, Concierto para violín, Op.15

Shostakovich, Sinfonía núm. 10 en mi menor, op. 93

National Symphony Orchestra

Simone Young, Dirección

Simone Lamsma, Violín

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

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Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

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NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

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National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

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Rollicking Mahler Fifth may have just put NSO on the global map

David Rohde, 20th February

Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra

*****

Tetzlaff redefines clarity with the National Symphony Orchestra

Sydney Boyd, 24th January

Christian Tetzlaff proves once again why audiences can’t get enough of his sound in a program of Dvořák and Schumann with Christoph Eschenbach at the helm.

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Sydney Boyd

Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She has a Ph.D. in English literature from Rice University, where she currently holds a post-doctoral Spatial Studies fellowship in the Humanities Research Center.