Datos
| Address | 165 W. 65th Street Nueva York NY 10023 Estados Unidos |
| Contains | Lincoln Center, Rose Building: Daniel and Joanna S. Rose Studio Alice Tully Hall Clark Studio Theater David H Koch Theater Fordham University, 12th Floor Lounge Josie Robertson Plaza Metropolitan Opera House New York State Theater Stanley H Kaplan Penthouse Walter Reade Theater Wu Tsai Theater, David Geffen Hall Lincoln Centre: Hearst Plaza |
| Google maps | 40° 46' 26.830" N 73° 59' 2.841" W |
Próximos eventosVer más...
Nueva YorkLa Voix humaine with Barbara Hannigan

Strauss R., Poulenc
New York Philharmonic; Barbara Hannigan
Nueva YorkEugene Onegin
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Chaikovskiï: Eugene Onegin
Timur Zangiev; Deborah Warner; Metropolitan Opera; Tom Pye; Chloe Obolensky; Jean Kalman; The Metropolitan Opera Orchestra
Nueva YorkInnovators & Icons

Various, Berg, Chaikovskiï
Alexei Ratmansky; Jerome Robbins; George Balanchine; New York City Ballet; Keso Dekker; Mark Stanley; New York City Ballet Orchestra
Nueva YorkLa bohème

Puccini: La bohème
TBC; Franco Zeffirelli; Metropolitan Opera; Karel Mark Chichon; Peter J. Hall; Gil Wechsler
Nueva YorkAll Balanchine III

Mozart, Stravinsky
George Balanchine; Mikhail Fokine; New York City Ballet; James Stewart Morcom; Jean Rosenthal; New York City Ballet Orchestra
Nueva YorkInnocenceNueva producción
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Saariaho: Innocence
Susanna Mälkki; Simon Stone; Metropolitan Opera; Chloe Lamford; Mel Page; James Farncombe; The Metropolitan Opera Orchestra
Nueva YorkSpring Gala with Dudamel & Kissin

Rimsky-Korsakov, Scriabin, Stravinsky
New York Philharmonic; Gustavo Dudamel; Evgeny Kissin
Nueva YorkEclectic NYCB II

Mozart, Various, Foss, Martinů
George Balanchine; Peter Martins; Gianna Reisen; Justin Peck; New York City Ballet; Barbara Karinska; David Hays; New York City Ballet Orchestra
Últimas críticasVer más...
De la oscuridad a la luz y regreso
El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.
Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
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The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.
Innocence: Saariaho’s final opera receives New York premiere
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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.
A vocally perplexing economics assignment from David Lang
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The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.
American Ballet Theatre's double bill is short and sweet in New York
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American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.
A spectacular triple bill lifts ABT’s spring season in New York
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A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.
Tristan und Isolde at the Met: staging gets in the way of the music
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Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.
Lar Lubovitch’s Othello is Shakespeare meets drambalet at ABT
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In spite of somewhat limited dance vocabulary, American Ballet Theatre showcased its strength in dance actors presenting a very enjoyable Othello in New York.
