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Sala: Lincoln Center, Nueva York

Datos
Address165 W. 65th Street
Nueva York
NY 10023
Estados Unidos
ContainsLincoln Center, Rose Building: Daniel and Joanna S. Rose Studio
Alice Tully Hall
Clark Studio Theater
David Geffen Hall
David H Koch Theater
Fordham University, 12th Floor Lounge
Metropolitan Opera House
New York State Theater
Stanley H Kaplan Penthouse
Walter Reade Theater
Google maps40° 46' 26.830" N 73° 59' 2.841" W
enero 2021
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Función de tarde
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Próximos eventosVer más...

Nueva YorkHerbert Blomstedt conducts: Schumann with Igor Levit

Schumann, Nielsen
New York Philharmonic Orchestra; Herbert Blomstedt; Igor Levit

Nueva YorkIván Fischer conducts: Mozart, Satie, Milhaud and Ravel

Mozart, Satie, Milhaud, Ravel
New York Philharmonic Orchestra; Iván Fischer

Nueva YorkYoung People's Concert: The Firebird

Nueva YorkProject 19: Hannu Lintu conducts Anna Thorvaldsdottir

Sibelius, Rachmaninov, Thorvaldsdottir
New York Philharmonic Orchestra; Hannu Lintu; Yuja Wang

Nueva YorkRoomful of Teeth Takeover: Kravis Nightcap Series Curated by Roomful of Teeth

Roomful of Teeth; Nadia Sirota

Nueva YorkLunar New Year Concert and Gala: The Year of the Ox

Unknown: to be announced
New York Philharmonic Orchestra; Long Yu

Nueva YorkWorld Premiere by Caroline Shaw

Stravinsky, Shaw, Mozart
New York Philharmonic Orchestra; Jaap van Zweden; Roomful of Teeth

Nueva YorkRoomful of Teeth Takeover and Project 19 Kravis Nightcap Series Curated by Caroline Shaw

Shaw: New work
Caroline Shaw; Nadia Sirota; Roomful of Teeth
Últimas críticasVer más...

De la oscuridad a la luz y regreso

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

NYCB tries pandemic choreography

Taylor Stanley in Justin Peck’s Thank You, New York © Jody Lee Lipes
New York City Ballet ends its Fall Digital Season with a festival of new choreography, including works by Justin Peck and Pam Tanowitz. 

Louis Langrée makes his New York Philharmonic debut

Louis Langrée © A. J. Waltz

Three of the pieces that Louis Langrée conducted in his New York Philharmonic debut concerts were similarly atmospheric and impressionistic, stealing each other’s thunder. Happily, the Scriabin was cathartic.

François Girard's new Fliegende Holländer disappoints at The Met

Evgeny Nikitin (Holländer) © Ken Howard | Met Opera
François Girard’s production presents the moody, stormy atmosphere of Norwegian seascapes with stunning visuals, but offers few fresh ideas on the doomed love between the Dutchman and Senta.

Welser-Möst leads the New York Philharmonic in Widmann and Strauss

Franz Welser-Möst conducts the New York Philharmonic © Steven Pisano for Bachtrack
In his first New York Philharmonic engagement since 2000, Franz Welser-Möst pairs Jörg Widmann's Babylon Suite with Strauss' Sinfonia domestica

Iván Fischer focuses on the big picture in Mahler 5 at Lincoln Center

Iván Fischer © Akos Stiller
The players of the Budapest Festival Orchestra once again proved themselves to be a remarkably cohesive ensemble.

Ellen Reid premiere and Renée Fleming steal the show from Bruckner 4

Renée Fleming © Andrew Eccles

Ellen Reid’s evocative new work and Renée Fleming’s set of songs from her album “Distant Light” were the highlights of a program that included an uninspiring Bruckner Fourth Symphony.

A musically ideal Così in The Met's revival

Luca Pisaroni (Guglielmo) and Serena Malfi (Dorabella) © Jonathan Tichler | Met Opera
Phelim McDermott’s Coney Island Così fan tutte returns to The Met, in sparkling vocal performances.