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VeniceMartha Graham Dance Company
Dello Joio, Kodály, Riegger, Bernstein
Martha Graham; Hope Boykin; Martha Graham Dance Company
VeniceCarmen
Bizet: Carmen
Francesco Ivan Ciampa; Calixto Bieito; Teatro La Fenice; Orchestra del Teatro La Fenice; Coro del Teatro La Fenice; Annalisa Stroppa; Marina Comparato
VeniceVenere e AdoneNueva producción
Sciarrino: Venere e Adone
Kent Nagano; Georges Delnon; Teatro La Fenice; Orchestra del Teatro La Fenice; Coro del Teatro La Fenice; Layla Claire; Randall Scotting
VeniceCornelius Meister
Strauss R., Dvořák, Brahms
Orchestra del Teatro La Fenice; Cornelius Meister
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La clemenza di Tito at La Fenice: splendid score, sterile stage
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Ivor Bolton leads a great cast in a superb musical production of Mozart’s last masterpiece, in a lukewarm new production by Paul Curran.
La Fenice closes season with a lively new Fille du regiment
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John Osborn dazzles again as Tonio in a nostalgic new production by Barbe and Doucet, with a strong cast under the baton of Stefano Ranzani.
Full fathom five: Peter Grimes at La Fenice
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Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.
Méphistophélès returns to the stage in Gounod’s Faust at La Fenice!
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The Teatro La Fenice reprises Joan Anton Rechi’s production in its full stage version, less inspiring than the one expanded through the whole theatre during Covid times.
Flailing capes, plumed helmets, Baroque machinery: Pizzi's Rinaldo!
Federico Maria Sardelli conducts an historic production of Handel’s first Italian opera for London with energy and Baroque spirit. Teresa Iervolino takes the leading role in a convincing cast.
La Fenice transformed into a cathedral for Gounod's Faust
The real sensation of the evening was Alex Esposito – this time, Gounod's Faust should have been titled Méphistophélès...
A requiem to honour the dead in Venice
Claus Peter Flor directs La Fenice forces with a fine quartet of soloists in the Requiem by Mozart that somewhat unjustifiably carries the composer's name, prefaced by a companion-piece motet.
La Fenice reopens its doors with Vivaldi's first opera
The lack of a curtain has forced the director to employ a new inventiveness, if only with partially success.