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VeniceLa clemenza di TitoNueva producción
Mozart: La clemenza di Tito
Ivor Bolton; Paul Curran; Teatro La Fenice; Orchestra del Teatro La Fenice; Coro del Teatro La Fenice; Daniel Behle; Cecilia Molinari
VeniceKazuki Yamada
Takemitsu, Saint-Saëns, Rajmáninov
Orchestra del Teatro La Fenice; Kazuki Yamada; Ettore Pagano
VeniceMichele Mariotti conducts the New Year's Concert 2026
Unknown
Orchestra del Teatro La Fenice; Michele Mariotti; Rosa Feola; Jonathan Tetelman; Coro del Teatro La Fenice
VeniceSimon BoccanegraNueva producción
Verdi: Simon Boccanegra
Renato Palumbo; Luca Micheletti; Teatro La Fenice; Orchestra del Teatro La Fenice; Coro del Teatro La Fenice; Luca Salsi; Simone Piazzola
VeniceLa traviata
Verdi: La traviata
Stefano Ranzani; Robert Carsen; Teatro La Fenice; Patrick Kinmonth; Orchestra del Teatro La Fenice; Coro del Teatro La Fenice
VeniceThe Nutcracker
Chaikovskiï: El cascanueces
Wayne Eagling; Tamás Solymosi; Gábor Hontvári; Orchestra del Teatro La Fenice
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La Fenice closes season with a lively new Fille du regiment
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John Osborn dazzles again as Tonio in a nostalgic new production by Barbe and Doucet, with a strong cast under the baton of Stefano Ranzani.
Full fathom five: Peter Grimes at La Fenice
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Finally reaching the stage of the Venetian theatre, Benjamin Britten's first major opera meets with success thanks to Juraj Valčuha's conducting, Paul Curran's staging and an excellent cast.
Méphistophélès returns to the stage in Gounod’s Faust at La Fenice!
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The Teatro La Fenice reprises Joan Anton Rechi’s production in its full stage version, less inspiring than the one expanded through the whole theatre during Covid times.
Flailing capes, plumed helmets, Baroque machinery: Pizzi's Rinaldo!
Federico Maria Sardelli conducts an historic production of Handel’s first Italian opera for London with energy and Baroque spirit. Teresa Iervolino takes the leading role in a convincing cast.
La Fenice transformed into a cathedral for Gounod's Faust
The real sensation of the evening was Alex Esposito – this time, Gounod's Faust should have been titled Méphistophélès...
A requiem to honour the dead in Venice
Claus Peter Flor directs La Fenice forces with a fine quartet of soloists in the Requiem by Mozart that somewhat unjustifiably carries the composer's name, prefaced by a companion-piece motet.
La Fenice reopens its doors with Vivaldi's first opera
The lack of a curtain has forced the director to employ a new inventiveness, if only with partially success.
Beware Posa! A black, bleak Don Carlo opens season at La Fenice
Maestro Myung-Whun Chung leads an almost all-Italian cast in an impressive performance of Verdi’s most ambiguous masterpiece.