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Obra: Coppélia

Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza
Datos
CompositorDelibes, Léo (1836-1891)
PeriodoRomántico
Tipo de obraDance
Próximos eventosVer más...

MúnichCoppélia [All performances of the Bayerische Staatsoper in the period from March 11 to April 19 are cancelled.]New production

Coppélia [All performances of the Bayerische Staatsoper in the period from March 11 to April 19 are cancelled.]
Delibes: Coppélia
Roland Petit; Bayerisches Staatsballett; Anton Grishanin; Ezio Frigerio; Franca Squarciapino; Jean-Michel Désiré

VienaWiener Staatsballett in der Volksoper: Coppélia

Delibes: Coppélia
Pierre Lacotte; Wiener Staatsballett; Jean-Luc Simonini; Michel Ronvaux; Jacques Giovanangeli; Orchestra of the Vienna State Opera

MúnichCoppélia

© Wilfried Hösl
Delibes: Coppélia
Roland Petit; Bayerisches Staatsballett; Anton Grishanin; Ezio Frigerio; Franca Squarciapino

TokyoRoland Petit’s Coppélia

Roland Petit’s Coppélia
Delibes: Coppélia
Roland Petit; The National Ballet of Japan; Misato Tomita; Luigi Bonino; Ezio Frigerio
Últimas críticasVer más...

A roller-coaster of diverse dance as ENB celebrates its 70th

Erina Takahashi and James Forbat in Harald Lander's Etudes © Laurent Liotardo
A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

Francesca Hayward an enchanting Swanilda in Royal Ballet's Coppélia

Francesca Hayward (Swanilda) and Gary Avis (Dr Coppélius) © ROH | Bill Cooper
A ballet of charming nonsense, led by a triumvirate of exceptional performances 

Bocca's Ballet Nacional Sodre dances Coppélia

Ciro Tamayo (Frantz) © Santiago Barreiro
A warm and charming Coppélia performed by Julio Bocca's excellent young Uruguayan company.   

A brilliant Coppelia

Igone de Jongh (Swanhilde) and Daniel Camargo (Franz) © Marc Haegeman
Coppelia's convincing cartoon world with some great dancing by soloists De Jongh and Camargo and comedic genius by Yanowsky.

Balanchine's Coppélia

This version of Coppélia is a testament to Balanchine’s ability to accept the history of dance with equanimity and grace.