Obra: Die junge Nonne (Craigher), D.828

El acierto de Davidsen radicó en no intentar llevar su voz al territorio el lied, sino en traer las canciones a su zona de lucimiento.

Contrasts are fine but they don’t always work: in a programme with a strongly Germanic flavour John Storgårds and the BBC Philharmonic stretch the boundaries.

Marian Anderson, the famed African-American contralto, once remarked of Kathleen Ferrier, “My God, what a voice – and what a face!” This concert was a Centenary Celebration of Ferrier’s art at the Wigmore Hall, and I reflected (not for the first time) how aptly Anderson’s words could also apply to Alice Coote, the evening’s distinguished soloist.