Grisey, Dufourt, Boulez and... Beethoven? It might have been an inspired programming choice, the intricate orchestration of the contemporary French works contrasting with the directness of Beethoven’s textures. However, it was this much-loved audience favourite which proved to be the weak link in what was otherwise an excellent performance from the BBC Symphony Orchestra and Ilan Volkov at the Barbican.
The first half brought together two works from composers associated with “spectral” music, Gérard Grisey and Hugues Dufourt, both of which were UK premières. Grisey’s Mégalithes predates his first “spectral” composition by five years; a student work composed in 1969, it only received its first performance in 2009. Written for fifteen brass players (six seated on stage and four pairs scattered around the auditorium), the piece is an essay in instrumental technique. Mégalithes juxtaposes nine sections of variable length, each exploring different textural combinations and sonic effects. From a cacophonous volley of dialogue across the hall to an extended tuba solo, Grisey makes full use of the spatial separation of the players and pushes their virtuosity to the max. The brass of the BBC SO certainly rose to the challenge, embracing the rawness of the piece along with its more sensual moments.
A large portion of Hugues Dufourt’s output is stimulated by paintings, but On the Wings of the Morning took its inspiration from one of art historian Emily Vermeule’s 1979 lectures. Vermeule noted that ancient Greek art frequently linked the gods of love and death (Eros and Thanatos) in terrifying hybrid figures, and Dufourt’s piece delves into this surreal imagery. The dense and elaborate orchestral texture constantly shifts and evolves, making it hard to latch on to a reference point; fragments of melodic ideas emerge before sinking back below the surface. For much of the piece, the piano soloist is left to forge their own path through the orchestra, somewhat detached as if an observer; however, orchestra and piano drift into the same orbit at points, their sentiments aligning.