Thursday, composer David Ludwig joined Princeton audiences to hear Jonathan Biss perform his newly-penned Lunaire Variations in Richardson Auditorium. Ludwig’s piano cycle, though the shortest work on the program, became the centerpiece of Biss’ recital, which also featured works by Janáček and Beethoven.
In today’s age, composers often begin a piece by opening up Sibelius, Finale, or other notation software, rather than consulting with performers and thinking about practical issues of production. Ludwig’s Lunaire Variations, however, is the result of long-term collaboration with Biss, and fully exploits his particular skills at the keyboard. The two met when they were students at the Curtis Institute of Music, Philadelphia, where they now both serve on the faculty.
Commissioned by San Francisco Performances, the piano cycle also celebrates Schoenberg’s Pierrot Lunaire, now in its centennial year. Though the music and mise-en-scène of the melodrama are often considered the most revolutionary and influential, it is the text that influenced Ludwig the most. The original work set a cycle of twenty-one French poems by Albert Giraud, divided into sets of seven, which had been translated into German.
Ludwig’s piano cycle is divided into seven separate pieces, which all comment upon the tale of Pierrot, whom Ludwig described as a “freaky turn-of-the-century clown” during his brief introduction delivered from the stage. The imagery ranges from the bizarre to the beautiful. For example, the second movement describes Pierrot drilling a hole in his rival’s skull so it can be fashioned into a tobacco pipe. The sixth, however, describes Pierrot paddling home on a lily pad using moonbeams as his oars. The fourth movement (“Moonspot”), in which the clown desperately tries to remove a spot of moonlight from his new coat, was perhaps one of the most ethereal and charming. Ludwig created the glow of moonlight by exploiting the upper harmonics of the piano, as well as Biss’ ability to let melodies float hauntingly, particularly at the end of slow movements.