As part of their Isle of Noise series of concerts, the London Philharmonic Orchestra, with Andrew Manze at the helm, devised an ingenious and entertaining programme of works not at the centre of the repertoire. The idea of using short Baroque works as preludes to the two substantial items was stimulating and effective. In arrangements by Manze himself, the Purcell and William Lawes miniatures laid out a harmonic palette of false relations and suspensions that found its way back into British music via Vaughan Williams and later taken up by Britten and Tippett. Particularly effective was the juxtaposition of the Lawes Fantasy, whose very original final cadence seemed to step straight into the bitonal world of the opening of Job that followed.
Thomas Adès is a composer in the same British tradition. His Violin Concerto “Concentric Paths” is a work of intricacies and mysteries. The scurrying first movement challenges the performers to a race, soloist and orchestra literally running rings around each other. Here Anthony Marwood, the work's dedicatee, held the complexities and stratospheric writing together well, with the ghostly threads of sound only coalescing in the abrupt final bars. The long slow movement is the heart of the work, starting gruffly with stabbing chords and contorted melodies building to a crisis, which then dissolves into a gentler theme that seems to transform the whole work. Marwood grasped this new lyricism with enthusiasm and produced some beautiful playing and firm contours. The playful finale finds itself dancing, if with the odd trip and fall, and was delivered here with aplomb.
However, the real treat of the evening was to hear a performance of Ralph Vaughan Williams' great score, Job: A Masque for Dancing. The first purely British developed and inspired ballet, its initial impetus was in fact a potential commission from Diaghilev that never came about. The ball set in motion, the resulting project was an elaborate 45-minute one-act work of immense scope and unique drama inspired by William Blake’s Illustrations of the Book of Job.