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Ralph Vaughan Williams (1872-1958)

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Biography
Vaughan Williams, Ralph

Vaughan Williams is arguably the greatest composer Britain has seen since the days of Henry Purcell. In a long and extensive career, he composed music notable for its power, nobility and expressiveness, representing, perhaps, the essence of 'Englishness'.

Vaughan Williams was born in 1872 in the Cotswold village of Down Ampney. He was educated at Charterhouse School, then Trinity College, Cambridge. Later he was a pupil of Stanford and Parry at the Royal College of Music after which he studied with Max Bruch in Berlin and Maurice Ravel in Paris.

At the turn of the century he was among the very first to travel into the countryside to collect folk-songs and carols from singers, notating them for future generations to enjoy. As musical editor of The English Hymnal he composed several hymns that are now world-wide favourites (For all the Saints, Come down O love Divine). Later he also helped to edit The Oxford Book of Carols, with similar success.

Vaughan Williams volunteered to serve in the Field Ambulance Service in Flanders for the 1914–1918 war, during which he was deeply affected by the carnage and the loss of close friends such as the composer George Butterworth.

Before the war he had met and then sustained a long and deep friendship with the composer Gustav Holst. For many years Vaughan Williams conducted and led the Leith Hill Music Festival, conducting Bach’s St Matthew Passion on a regular basis. He also became professor of composition at the Royal College of Music in London.

In his lifetime, Vaughan Williams eschewed all honours with the exception of the Order of Merit which was conferred upon him in 1938. He died in August 1958, his ashes are interred in Westminster Abbey, near Purcell.

In a long and productive life, music flowed from his creative pen in profusion. Hardly a musical genre was untouched or failed to be enriched by his work, which included nine symphonies, five operas, film music, ballet and stage music, several song cycles, church music and works for chorus and orchestra.

© Stephen Connock MBE
Vice President Ralph Vaughan Williams Society

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RichmondRichmond Piano Series: Roderick Williams and Christopher Glynn

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Vaughan Williams, Quilter, Dring, Finzi, Bridge, Gurney, Boyle, Britten, Weir, Tippett, Maconchy, Carwithen, Procter-Gregg, Wallen
Roderick Williams; Christopher Glynn

PooleCelestial Symphony

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Bax, Beethoven, Vaughan Williams
Bournemouth Symphony Orchestra; Enyi Okpara; Martin James Bartlett

BrightonShakespeare's Sisters

Brighton Dome and Festival Ltd
Schubert, Vaughan Williams, Haydn, Verdi, Purcell
Miranda Richardson; Sophie Bevan; Christopher Glynn

BerlinWilliam & Mary College Choir in Berlin

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Billings, Hanson, Schütz, Shaw, Lukáš, Kirchner, Hogan, Erb, Byrd, Rheinberger, Vaughan Williams, Bach, Martinů, Traditional, Mthembu, Mendelssohn
William & Mary Choir; Botetourt Chamber Singers

MunichSibelius, Rautavaara, Vaughan Williams

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Sibelius, Rautavaara, Vaughan Williams
Munich Philharmonic Orchestra; Tarmo Peltokoski; Yuja Wang
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Stephen Hough makes a convincing case for Rachmaninov 1 with the RSNO

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On a return visit to the Royal Scottish National Orchestra, John Wilson shapes A London Symphony with melancholy sweep. 
****1
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Immersive OAE submerged at Southbank’s Multitudes festival

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The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music. 
**111
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Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

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Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall. 
****1
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Johnston’s Tavener the highlight for the Brighton Philharmonic

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Warm Vaughan Williams and energetic Richter and Vivaldi from MacGregor and the BPO strings, with an astonishing performance of Tavener’s The Protecting Veil from Guy Johnston the highlight. 
****1
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Weinberg rarity overshadows John Williams at the New York Philharmonic

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John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.
****1
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