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Ralph Vaughan Williams (1872-1958)

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Biography
Vaughan Williams, Ralph

Vaughan Williams is arguably the greatest composer Britain has seen since the days of Henry Purcell. In a long and extensive career, he composed music notable for its power, nobility and expressiveness, representing, perhaps, the essence of 'Englishness'.

Vaughan Williams was born in 1872 in the Cotswold village of Down Ampney. He was educated at Charterhouse School, then Trinity College, Cambridge. Later he was a pupil of Stanford and Parry at the Royal College of Music after which he studied with Max Bruch in Berlin and Maurice Ravel in Paris.

At the turn of the century he was among the very first to travel into the countryside to collect folk-songs and carols from singers, notating them for future generations to enjoy. As musical editor of The English Hymnal he composed several hymns that are now world-wide favourites (For all the Saints, Come down O love Divine). Later he also helped to edit The Oxford Book of Carols, with similar success.

Vaughan Williams volunteered to serve in the Field Ambulance Service in Flanders for the 1914–1918 war, during which he was deeply affected by the carnage and the loss of close friends such as the composer George Butterworth.

Before the war he had met and then sustained a long and deep friendship with the composer Gustav Holst. For many years Vaughan Williams conducted and led the Leith Hill Music Festival, conducting Bach’s St Matthew Passion on a regular basis. He also became professor of composition at the Royal College of Music in London.

In his lifetime, Vaughan Williams eschewed all honours with the exception of the Order of Merit which was conferred upon him in 1938. He died in August 1958, his ashes are interred in Westminster Abbey, near Purcell.

In a long and productive life, music flowed from his creative pen in profusion. Hardly a musical genre was untouched or failed to be enriched by his work, which included nine symphonies, five operas, film music, ballet and stage music, several song cycles, church music and works for chorus and orchestra.

© Stephen Connock MBE
Vice President Ralph Vaughan Williams Society

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LondonChristmas at the Tower of London

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Sparkhall, McGlade, Paish, Bach, Esmail, Vaughan Williams, Gjeilo, Owens, Burton, Rutter, Farrington
Colm Carey; HM Tower of London The Choir of the Chapels Royal

BristolMusgrave, Walton, Vaughan Williams

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Musgrave, Walton, Vaughan Williams
London Symphony Orchestra; Sir Antonio Pappano; Antoine Tamestit

LucerneTraditional Christmas singing at the KKL Lucerne

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Kaprálová, Montgomery, Marsh, Vaughan Williams, Elgar
Lucerne Symphony Orchestra; Unknown

LondonThe Lark Ascending & Mozart Clarinet Concerto at Christmas

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Barber, Vaughan Williams, Mozart
The Piccadilly Sinfonietta; Henry Chandler; Poppy Beddoe

ManchesterRachmaninov 2nd Piano Concerto and Lark Ascending at Christmas

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Vaughan Williams, Mozart, Rachmaninov
The Piccadilly Sinfonietta; Warren Mailley-Smith; Henry Chandler; Poppy Beddoe
Latest reviewsSee more...

Rare Vaughan Williams from Pappano and the LSO

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Tchaikovsky and Vaughan Williams make rare bedfellows, but Pappano's grip on these disparate scores impresses, with the London Symphony Chorus and Orchestra on wondrous form. 
****1
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Krimmel and Bushakevitz’s Schwanengesang a revelation at 92Y

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A traversal at The 92nd Street Y, New York, shaped by nuance, insight and a rare shared intuition. 
*****
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Elder and LPO plumb new depths in Vaughan Williams

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Elder's reading of A Sea Symphony has the maturity and surefooted-ness of a conductor who has fully absorbed the work and long since recognised it as a masterpiece.
*****
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Charisma and colour from Vasily Petrenko and the Royal Philharmonic

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The Royal Philharmonic Orchestra’s BBC Proms matinee proves an ideal opportunity to demonstrate their strengths in a programme of Respighi, Milhaud and Vaughan Williams. 
****1
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Folksong and fantasy with the LSO and Ryan Bancroft at the BBC Proms

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Ryan Bancroft’s LSO programme, inherited from Simon Rattle, mixes attractive English folksong-inspired pieces with more challenging, late 20th-century works.
****1
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