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Work: The Love for Three Oranges

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Fact file
ComposerProkofiev, Sergei (1891-1953)
Period20th century
Year1919
Work typeOpera / Oratorio
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StuttgartDie Liebe zu drei Orangen

Prokofiev: The Love for Three Oranges
Valentin Uryupin; Axel Ranisch; Oper Stuttgart; Christopher Schmitz; Saskia Wunsch; Bettina Werner; David Steffens

ParisUn air de printemps

Prokofiev, Elgar, Dvořák
Orchestre national d'Île-de-France; James Feddeck; Victor Julien-Laferrière

NaplesL'Amour des trois oranges (L'amore delle tre melarance)

Prokofiev: The Love for Three Oranges
Juraj Valčuha; Alessandro Talevi; Teatro di San Carlo; Justin Arienti; Manuel Pedretti; Goran Jurić; Bogdan Volkov
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Prokofiev's commedia dell’arte showpiece in Philadelphia

Barry Banks (Truffaldino) and Katherine Pracht (Pincess Linetta) © Kelly & Massa for Opera Philadelphia
Alessandro Talevi production for Festival O has sight gags and vaudeville tricks aplenty and features splendid voices in a fine cast. 
*****
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Supernatural high jinks in Prague: The Love for Three Oranges

Marie Fajtová (Ninette) © Dasa Wharton
A colorful, light-hearted approach captures the spirit of Prokofiev's LʼAmour des trois oranges.
****1
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Laugh out loud Three Oranges in Sydney

Rosario La Spina (The Prince) and Catherine Bouchier (Princess Nicoletta) © Prudence Upton
A revival of Francesca Zambello's production of Prokofiev's Love for Three Oranges at the Sydney Opera House is a joy, thanks to the antics of Kanen Breen at the head of a strong cast.
****1
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Colorful and juicy: Prokofiev's L'amour des trois oranges with The Netherlands Opera

The Netherlands Opera’s revival production of Prokofiev’s L’amour des trois oranges is sweet, juicy, and just a bit bitter in the right moments.This production presents Prokofiev’s piece in the original French with Dutch and English supertitles. At its first performance in Chicago in 1921, Prokofiev’s opera was presented in French rather than Russian. French is a sensible choice for this region.
*****
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Virtuelle Welt: Prokofjews Die Liebe zu drei Orangen in Stuttgart

Carole Wilson (Fata Morgana) und Michael Ebbecke (Der Zauberer Celio) © Matthias Baus
Axel Ranisch gestaltet eine verpixelte Opern- und Computerwelt, die wunderlicher kaum mehr sein könnte.
*****
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