Articles by Sarah Batschelet

A delightful confection: Donizetti’s L’elisir d’amore in Zurich

By , 09 April 2017
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Provocation as part of the package: Massenet’s Werther in Zurich

By , 03 April 2017
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Lakeside in Lugano: Julia Fischer and Daniel Müller-Schott

By , 31 March 2017
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An elemental ancient ritual: Xenakis’ Oresteia in Basel

By , 25 March 2017
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A Swan Lake reconstruction: Ratmanksy's living theatre in Zurich

By , 19 March 2017
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A Mendelssohn-Mahler triumph for the Budapest Festival Orchestra in Zurich

By , 09 March 2017
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On Otherness and the redemption of love: Gute Pässe, Schlechte Pässe in Baden

By , 09 March 2017
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A sizzling myth of matricide: Manfred Trojahn’s Orest in Zurich

By , 27 February 2017
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Dynamic Bartók from Julia Fischer in Zurich

By , 24 February 2017
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Animal instinct, humanity and some serious hustle: a stellar Quintett in Zurich

By , 13 February 2017
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A triple bill in Zurich: a case for the brilliance of youth

By , 02 February 2017
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Sexism and callousness in Richard Jones' Don Giovanni in Basel

By , 29 January 2017
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A great crime of passion: Médée in Zurich

By , 23 January 2017
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Quintessential Rachmaninov from La Fenice in Zurich

By , 18 January 2017
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A Russian Reality Revisited: A new cast for Anna Karenina in Zürich

By , 16 January 2017
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Kent Nagano’s startling Beethoven and Messiaen in Zurich

By , 09 January 2017
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Daniel Hope and the Zurich Chamber Orchestra shake up the Baroque

By , 09 December 2016
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Shaking fists at the fates: Christian Spuck's Messa da Requiem in Zurich

By , 04 December 2016
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All-Brahms chamber concert closes Lucerne's piano festival

By , 28 November 2016
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“A woeful song in misery extreme”: Handel’s Jephtha in Zurich

By , 21 November 2016
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