Articles by Sarah Batschelet

Love finds a balm for pain: Handel’s Alcina in Basel

By , 14 June 2017
***11
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Verdi’s Un Ballo in Maschera in Zurich: a danse macabre of pallid beauty

By , 08 June 2017
****1
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A case of confused identity: Basel's new Peer Gynt ballet

By , 05 June 2017
**111
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Modern choreography meets the Baroque: A double-bill “Corpus” in Zurich

By , 28 May 2017
*****
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Effervescent music, unrelenting activity: Haydn’s Orlando Paladino in Zurich

By , 18 May 2017
***11
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Brahms meets Schlumpf: a marriage of old and new in Baden

By , 12 May 2017
****1
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Vaudeville and validation: a double-bill of Ravel operas in Winterthur

By , 08 May 2017
***11
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A noble case for civil disobedience: Philip Glass’ powerful Satyagraha in Basel

By , 29 April 2017
*****
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A delightful confection: Donizetti’s L’elisir d’amore in Zurich

By , 09 April 2017
****1
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Provocation as part of the package: Massenet’s Werther in Zurich

By , 03 April 2017
****1
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Lakeside in Lugano: Julia Fischer and Daniel Müller-Schott

By , 31 March 2017
***11
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An elemental ancient ritual: Xenakis’ Oresteia in Basel

By , 25 March 2017
****1
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A Swan Lake reconstruction: Ratmanksy's living theatre in Zurich

By , 19 March 2017
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A Mendelssohn-Mahler triumph for the Budapest Festival Orchestra in Zurich

By , 09 March 2017
*****
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On Otherness and the redemption of love: Gute Pässe, Schlechte Pässe in Baden

By , 09 March 2017
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A sizzling myth of matricide: Manfred Trojahn’s Orest in Zurich

By , 27 February 2017
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Dynamic Bartók from Julia Fischer in Zurich

By , 24 February 2017
****1
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Animal instinct, humanity and some serious hustle: a stellar Quintett in Zurich

By , 13 February 2017
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A triple bill in Zurich: a case for the brilliance of youth

By , 02 February 2017
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Sexism and callousness in Richard Jones' Don Giovanni in Basel

By , 29 January 2017
***11
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