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Gianmarco Segato

Gianmarco Segato

Arts writer, administrator and singer Gianmarco Segato is Assistant Editor for La Scena Musicale. He was Associate Artist Manager for opera at Dean Artists Management and, from 2017-2022, Editorial Director of Opera Canada magazine. Previous to that he was Adult Programs Manager with the Canadian Opera Company. Gianmarco is an intrepid classical music traveler with a special love of Prague and Budapest as well as an avid cyclist and cook.

Author:Gianmarco Segato

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A thrilling, opulent La Bayadère at Hungarian National Ballet

By Gianmarco Segato, 14 June 2025

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

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A thrilling, opulent La Bayadère at Hungarian National Ballet

By Gianmarco Segato

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Visually splendid, dramatically parched La Gioconda at Hungarian State Opera

By Gianmarco Segato, 11 June 2025

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

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Visually splendid, dramatically parched La Gioconda in Budapest

By Gianmarco Segato

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Corps shines in National Ballet of Canada’s aesthetically muddled Swan Lake

By Gianmarco Segato, 08 March 2025

In the first revival of National Ballet of Canada's 2022 Swan Lake, a strong corps de ballet and star turn by Genevieve Penn Nabity almost overcome a muddled visual concept.

***11

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Corps shines in National Ballet of Canada’s Swan Lake

By Gianmarco Segato

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Scattered borrowings fail to cohere in Canadian Opera Company's new Faust

By Gianmarco Segato, 11 October 2024

Amy Lane's scattered borrowings from Tim Burton to Stanley Kubrick fail to cohere in the Canadian Opera Company's new Faust.

***11

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Scattered borrowings fail to cohere in COC's new Faust

By Gianmarco Segato

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An unabashed celebration of dance, Carlos Acosta's Don Quixote thrills at the National Ballet of Canada

By Gianmarco Segato, 01 June 2024

Superstar dancer Carlos Acosta's Don Quixote debuts at the National Ballet of Canada, showcasing thrilling dancing in a sumptuous, sun-filled Spanish setting.

*****

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Carlos Acosta's Don Quixote thrills at the National Ballet of Canada

By Gianmarco Segato

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Sondra Radvanovsky triumphs in Canadian Opera Company's darkly grand Medea

By Gianmarco Segato, 03 May 2024

In the title role of Canadian Opera Company's Medea, soprano Sondra Radvanovsky offers the vocal and dramatic goods required by this flawed masterpiece.

****1

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Sondra Radvanovsky triumphs in COC's darkly grand Medea

By Gianmarco Segato

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Canadian Opera Company’s Don Pasquale gets a one-note Dolce Vita treatment

By Gianmarco Segato, 26 April 2024

Canadian Opera Company's Don Pasquale offers a stylish Italian 1960s Fellini-inspired concept that delivers comedy but omits the pathos.

***11

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COC’s Don Pasquale gets a one-note Dolce Vita treatment

By Gianmarco Segato

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National Ballet of Canada runs the gamut from sci-fi to suspendu in new triple bill

By Gianmarco Segato, 21 March 2024

National Ballet of Canada adds three new works to its repertoire with cutting-edge pieces by William Yong and Emma Portner as well as Serge Lifar's early 20th-century paean to classicism.

****1

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National Ballet of Canada runs the gamut from sci-fi to suspendu

By Gianmarco Segato

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A sumptuous revival of Arabella at Hungarian State Opera that lands mostly on the side of tradition

By Gianmarco Segato, 10 February 2024

Hungarian State Opera revives their mostly period production of Strauss' Arabella with star turns by sopranos Polina Pasztircsák and Laura Topolánszky.

***11

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Sumptuous revival of Arabella at Hungarian State Opera

By Gianmarco Segato

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Tradition reconsidered in Bartók Dancetriptych at the Hungarian National Ballet

By Gianmarco Segato, 03 February 2024

Three iconic Bartók dance scores are newly-interpreted at the Hungarian National Ballet.

****1

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Tradition reconsidered in Bartók Dancetriptych in Budapest

By Gianmarco Segato

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The forefather of Czech opera: Ostrava’s complete Smetana cycle

By Gianmarco Segato, 25 January 2024

Bedřich Smetana was the fountainhead of the national school of Czech composition – and this year all eight of his operas will be ambitiously presented by the National Moravian-Silesian Theatre.

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The forefather of Czech opera: Ostrava’s complete Smetana cycle

By Gianmarco Segato

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The Nutcracker gets Scrooged at Prague’s National Theatre

By Gianmarco Segato, 30 December 2023

Youri Vámos’s mash up of The Nutcracker and A Christmas Carol makes for a devilishly Victorian take on Tchaikovsky’s holiday classic.

***11

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The Nutcracker gets Scrooged at Prague’s National Theatre

By Gianmarco Segato

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National Ballet of Canada cracks open its sumptuous Nutcracker in a Fabergé egg once again

By Gianmarco Segato, 12 December 2023

James Kudelka's Czarist vision of The Nutcracker offers Imperial splendour and a conceptual twist at The National Ballet of Canada.

****1

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National Ballet of Canada cracks open its sumptuous Nutcracker

By Gianmarco Segato

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Maxim Emelyanychev takes The Sleeping Beauty back to its Baroque roots

By Gianmarco Segato, 01 December 2023

Young Russian maestro Maxim Emelyanychev makes his Toronto Symphony with a dip into Russian imperial ballet.

****1

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Maxim Emelyanychev takes The Sleeping Beauty back to its Baroque roots

By Gianmarco Segato

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Farewells and bold debuts in National Ballet of Canada's Onegin

By Gianmarco Segato, 24 November 2023

National Ballet of Canada's connections to John Cranko's Onegin run deep and this revival featured beloved company farewells and exciting next generation debuts.

****1

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Farewells and bold debuts in National Ballet of Canada's Onegin

By Gianmarco Segato

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Varying variations: Toronto Symphony Orchestra presents Elgar and Vaughan Williams

By Gianmarco Segato, 14 October 2023

Trevor Wilson conducts Elgar, Vaughan Williams, Copland and Wijeratne in the TSO's tour of a century of tonalism.

***11

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Varying variations: Elgar and Vaughan Williams in Toronto

By Gianmarco Segato

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Hungarian State Opera goes full The Last of Us with new Idomeneo

By Gianmarco Segato, 01 June 2023

Hungarian State Opera presents Idomeneo for the first time in almost 50 years in a musically superb, but controversial pandemic-informed dystopian setting.

***11

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Hungarian State Opera goes full The Last of Us with new Idomeneo

By Gianmarco Segato

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Toronto Symphony burns down the barn with Messiaen's Turangalîla-Symphonie

By Gianmarco Segato, 04 May 2023

Gustavo Gimeno, Marc-André Hamelin and the Toronto Symphony Orchestra raise the roof with Messiaen’s epic – and eclectic – Turangalîla-Symphonie.

****1

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Toronto Symphony burns down the barn with Messiaen's Turangalîla

By Gianmarco Segato

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Toronto Symphony Orchestra goes bold with Britten and Mazzoli

By Gianmarco Segato, 02 March 2023

They may have come out for the Mozart, but it is the boldly programmed Britten and Mazzoli that make this midwinter concert stand out.

****1

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Toronto Symphony Orchestra goes bold with Britten and Mazzoli

By Gianmarco Segato

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Tomáš Netopil: traversing 140 years of Czech music

By Gianmarco Segato, 13 December 2022

Conductor Tomáš Netopil discusses his love of Czech music, and his upcoming program with the Czech Philharmonic in January, featuring an unusual work of Janáček’s and a world premiere from Miloš Orson Štědroň.

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Tomáš Netopil: traversing 140 years of Czech music

By Gianmarco Segato

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Tatjana Gürbaca’s Geneva staging of Kátya Kabanová travels to Brno’s Janáček Festival

By Gianmarco Segato, 13 November 2022

Director Tatjana Gürbaca and Czech conductor Tomáš Netopil deliver a “Romantic” Kátya Kabanová from the Grand Théâtre de Genève at Brno’s Janáček Festival.

****1

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Tatjana Gürbaca’s Geneva staging of Kátya Kabanová travels to Brno

By Gianmarco Segato

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A scorching Diary of One Who Disappeared at Janáček Brno Festival

By Gianmarco Segato, 12 November 2022

Tenor Nicky Spence and mezzo Václava Krejčí Housková thrill with a theatrical take on Janáček's The Diary of One Who Disappeared with pianist Julius Drake.

****1

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A scorching Diary of One Who Disappeared at Janáček Brno Festival

By Gianmarco Segato

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Bieito's parched aesthetic strips the emotion from Kátya Kabanová at Brno's Janáček Festival

By Gianmarco Segato, 09 November 2022

The Spanish director's emotionally-sapped staging for the Prague National Theatre travels to Brno for the Janáček Festival.

***11

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Bieito's parched aesthetic strips the emotion from Kátya Kabanová

By Gianmarco Segato

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Eternal life for the downtrodden? From the House of the Dead and the Glagolitic Mass in Brno

By Gianmarco Segato, 06 November 2022

Jakub Hrůša leads a musically thrilling but dramatically problematic From the House of the Dead and Glagolitic Mass at the 2022 Janáček Brno International Festival.

****1

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Eternal life for the downtrodden? A Janáček double bill in Brno

By Gianmarco Segato