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Choreographer Kim Brandstrup talks about his remarkable collaboration with the Orchestra of the Age of Enlightenment, and a group of professional hip-hop dancers and students from Camden’s Acland Burghley School.

It was a wonderful, heartening afternoon – it’s no wonder nearly all the 2025 graduates have gained contracts with several major ballet companies.

The conducting of Jordi Savall thrills during the Ballet du Capitole's double bill of ballets by Gluck.

Le Parc but is masterful in evoking the sensuous world of the 18th century and it's a major achievement for the Lithuanian National Ballet.

Paris Opera Ballet tackles a British classic with aplomb but needs to delve deeper into the quintessentially British humour and charm.

Kenneth MacMillan’s 50 year old ballet, Manon, holds up a mirror to our own times.

English National Ballet dance an old classic in a new light.

Norwegian National Ballet return to the classics with surprising ease.

English National Ballet appears refreshed and revitalised under its new artistic director.

Carlos Acosta proves that he is still one of the world's greatest dancers, performing to packed houses and adoring audiences.

A balance of classical, contemporary and folk dance, showed off the versatility of The Royal Ballet School's students at every stage of their training and the results were extremely pleasing.

Europe’s newest ballet school – attached to Hungarian State Opera in Budapest – prepares a version of Tchaikovsky and Petipa’s classic, designed expressly for young dancers.

Three linked works of contemporary ballet provoke a very mixed response.

Three complete ballets and a sprinkling of divertissements made for a highly enjoyable gala.

Tom Pye has drawn inspiration from the magical fairytale illustrations of Edmund Dulac and Arthur Rackham with his new set designs for Frederick Ashton's Cinderella.

Powerful performances by the four leading dancers brought dramatic weight to this tremendous revival of John Cranko's Onegin by Czech National Ballet.