| Saturday 17 April 2027 | 19:00 |
| Saturday 24 April 2027 | 11:00 |
| Sunday 02 May 2027 | 11:00 |
| Sunday 09 May 2027 | 11:00 |
| Hungarian State Opera | ||
| István Dénes | Conductor | |
| Michał Znaniecki | Director | |
| Luigi Scoglio | Set Designer | |
| Magdalena Dabrowska | Costume Designer | |
| Bogumil Palewicz | Lighting Designer | |
| Hungarian State Opera Orchestra | ||
| Hungarian State Opera Chorus | ||
| Judit Kenesey | Dramaturgy | |
| Dora Jana Klarić | Mezzo-soprano | The mother of the girl |
| Zsolt Juhász | Choreography | |
| Gábor Csiki | Choirmaster / chorus director | |
| Erika Gál | Mezzo-soprano | Háziasszony (housewife) |
| Máté Fülep | Baritone | Kérője (suitor) |
| Mária Farkasréti | Soprano | Szomszédasszony (neighbour) |
| Barna Bartos | Tenor | Fiatal Legény (young man) |
| Kinga Kriszta | Soprano | Fiatal Leány (young girl) |
| Attila Erdős | Bass | A Nagyorrú Bolha (flea) |
“A people can best be known through their folk songs,” claimed Zoltán Kodály, one of the crucial proponents of Hungarian music, whose main ambition as a composer, collector of folk songs and music teacher was to inculcate a love for Hungarian folk song and to cultivate a knowledgeable audience. The Spinning Room is the epitome of Kodály's efforts. When the Hungarian Royal Opera commissioned a full-length version of the work from the composer in 1931, it wasn't an opera that Kodály intended to write – instead his aim was to re-discover the Hungarian folk song and relay its simple dramatic power. Kodály was of Polish extraction on his mother's side. And now, breaking with convention, audiences will get the chance to see through the eyes of a Polish director, Michał Znaniecki, how a foreign artist perceives this quintessentially Hungarian work.
Reviews of Székelyfonó (The Spinning Room) directed by Michał Znaniecki

