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Sweeney Todd

State Opera (Státní opera)Wilsonova 4, Prague, Central Bohemian Region, 110 00, Czechia
Dates/times in Prague time zone
Sunday 27 June 202714:00
Sunday 27 June 202719:00
Performers
Prague National Theatre Opera
Anna PozidisConductor
Richard HeinConductor
Martin ČičvákDirector
Hans HofferSet Designer
Georges VafiasCostume Designer
Jan DörnerLighting Designer
Prague State Opera Orchestra
Prague State Opera Chorus
Prague National Theatre Opera Ballet
Silvia BelákováChoreography
Eva HartováSopranoJohanna Baker
Zuzana KopřivováSopranoJohanna Baker
Barbora PernáSopranoMrs Lovett (Nellie Lovett)
Lucie HájkováSopranoMrs Lovett (Nellie Lovett)
Tamara MorozováSopranoMrs Lovett (Nellie Lovett)
Ivo HrachovecBassJudge Turpin
František ZahradníčekBassJudge Turpin
Miloš HorákBass-baritoneJudge Turpin
Adam PlachetkaBass-baritoneSweeney Todd
Jiří HájekBaritoneSweeney Todd
Aleš JenisBaritoneSweeney Todd
Daniel KfelířBaritoneAnthony Hope
Michal BragagnoloTenorAnthony Hope

In Czech, surtitles in Czech, English

Composed by one of the major figures of 20th-century musical theatre – the creator of 16 musicals and hundreds of songs, who launched his career writing the lyrics for Leonard Bernstein’s West Side Story – it is an iconic work of its genre. SWEENEY TODD: The Demon Barber of Fleet Street is a riveting synthesis of dark humour, horror and melodrama, imbued with brilliant musical irony.

Sondheim unfurls a chilling story of revenge born of injustice, which devours everything human. Victorian London is revealed as a labyrinth of poverty, corruption and hypocrisy, in which law is bent by those possessing power, and justice is the privilege of the select few who can pay for it. Following years of exile after having been falsely convicted and robbed of his family and identity alike, the barber Benjamin Barker, now “Sweeney Todd”, returns to London. His only goal is revenge and punishment. The barber’s razor becomes a tool of “justice”. Todd kills his customers, and with the help of his accomplice, the baker Mrs. Lovett, has their corpses processed into meat pies, which are a culinary sensation much craved by Londoners. Sondheim’s music is extremely variegated, rich in contrast, ranging from bizarrely light numbers through lyrical passages to spectacular ensembles, propelling the story precipitously forward. Humour thrills, tragedy is masked by irony, with the audience constantly wavering between laughter and consternation.

Our production of Sondheim’s musical, conducted by Anna Pozidis and directed by Martin Čičvák, will be performed in Hana Nováková’s Czech translation. The title role has been assigned to the globally renowned singer Adam Plachetka.

Prague National Theatre