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Composer: Berg, Alban (1885-1935)

April 2018
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Evening performance
Matinee performance
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StockholmLied recital Miah Persson

Lied recital Miah Persson
Haydn, Beethoven, Mozart, Zemlinsky, Korngold, Berg
Miah Persson; Magnus Svensson

LondonIPS: Benjamin Grosvenor

© Decca | Sophie Wright
Bach, Brahms, Dean, Debussy, Berg, Ravel
Benjamin Grosvenor, Piano

New York CityDaniil Trifonov in recital

© Stefan Cohen
Berg, Prokofiev, Bartók, Copland, Messiaen, Ligeti, Stockhausen, Adams, Corigliano, Adès
Daniil Trifonov, Piano

Saffron WaldenBenjamin Grosvenor

Benjamin Grosvenor
Bach, Brahms, Dean, Debussy, Berg, Ravel
Benjamin Grosvenor, Piano

OxfordBagatelles after Beethoven

Bagatelles after Beethoven
Berg, Beethoven, Butler, Gordon, Frances-Hoad, Jackson, Knotts, Sheen
Tim Horton, Piano
Latest reviewsSee more...

O/MODƏRNT at Wigmore Hall: A descent into melodrama

Hugo Ticciati © Marco Borggreve
Conceptually, the programme of descending and rising fourths offered a real treat: in practice, the musicians' skill was in danger of being lost as they attempted to recover from their opening gimmickry.
***11
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Berliner Philharmoniker redefine Shake, Rattle & Roll in Baden-Baden

Sir Simon Rattle © Johann Sebastian Hanel
Elīna Garanča brings subtle sonorities to an otherwise bravura and boisterous concert by Simon Rattle and the Berlin Philharmonic.
****1
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Adventures through time and space with the London Sinfonietta

Elizabeth Atherton © Kiran Ridley
Experiments in music and ideas brought together by the London Sinfonietta and guests at a special concert all about space and time.
****1
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Goerne and Trifonov at the Konzerthaus

Daniil Trifonov © Dario Acosta | Deutsche Grammophon
Despite some fascinating, impressive and often beautiful moments, the consistent refusal to give the audience time to applaud, pause and digest what they had just heard turned the evening into a wash of death songs.
**111
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Elegiac introspection from Isabelle Faust

Isabelle Faust © Molina Visuals
A great programme of varied but accessible 20th-century music excites in spite of its imperfections; Faust gives a beautiful, introspective reading of the second Berg concerto.
***11
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