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Composer: Buxtehude, Dietrich (1637-1707)

August 2018
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Evening performance
Matinee performance
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Chamalières-sur-LoireVoix sacrées en bords de Loire

Morales, Buxtehude, Lotti, Mompou, Tippett, MacMillan, Connesson, Looten
Catherine Simonpietri; Ensemble vocal Sequenza 9.3

KrakowMichał Białko

Buxtehude, Bach, Brahms, Mendelssohn, Reger
Michał Białko, Organ

ZinnowitzConcert in Zinnowitz

Weckmann, Meder, Bruhns, Tunder, Buxtehude, Förster, Albrici, Geist
Concerto Copenhagen; Lars Ulrik Mortensen; Jakob Bloch Jespersen

LondonA Musical Offering

Buxtehude, Telemann, Bach
The Bach Players; Marion Moonen; Nicolette Moonen; Reiko Ichise

CopenhagenMoving Baroque

Frescobaldi, Vivaldi, Praetorius, Buxtehude, Dowland
Concerto Copenhagen; Elisabeth Holmertz
Latest reviewsSee more...

Bach to basics at Bachfest Leipzig

John Butt conducts the Dunedin Consort in Leipzig © Bachfest Leipzig | Gert Mothes
Three concerts over one day at the opening weekend of Bachfest Leipzig combined Bach’s music with that of composers from Rachmaninov to Sibelius, but nothing matches the unrivalled bliss of Bach’s own music performed with total conviction.
***11
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László Fassang: organ spectacular in Budapest

Pál Mácsai and László Fassang © János Posztós, Müpa Budapest
Here's a winning formula to pack a concert hall for a Saturday night organ recital: book one of the country's best-known actor-managers to front the evening, invest in televisual effects, and write a good script. 
****1
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Repicco and Friends highlight some Baroque rarities for Concerts in the West

An delightful hour of Baroque rarities from Repicco and Friends.
****1
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Musical tapas: Orquesta Filarmónica de Mexico UNAM

Jan Latham-Koenig © Paul Persky
An action-packed, generous concert by the Orquesta Filarmónica de Mexico UNAM conducted by Jan Latham-Koenig at the Cadogan Hall.
****1
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James Gilchrist and Florilegium explore Bach

James Gilchrist © Operaomnia
Florilegium and tenor James Gilchrist give intelligent and engaging performances of music by Bach and his contemporaries including some repertoire unfairly neglected in today's concert halls. 
***11
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