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Composer: Dukas, Paul (1865-1935)

Fact file
Year of birth1865
Year of death1935
April 2018
Evening performance
Matinee performance
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BilbaoPierné, Rachmaninov, Dukas

Pierné, Rachmaninov, Dukas
Pierné, Rachmaninov, Dukas
Bilbao Orkestra Sinfonikoa; Erik Nielsen; Levon Avagyan

La CoruñaOrquesta Sinfónica de Galicia

Orquesta Sinfónica de Galicia
Dukas, Prokofiev, Debussy
Orquesta Sinfónica de Galicia; Otto Tausk; Beatrice Rana

LondonMyths and Fairytales IV: Jayson Gillham performs Chopin

Myths and Fairytales IV: Jayson Gillham performs Chopin
Dukas, Chopin, Mussorgsky
Royal Philharmonic Orchestra; Alexander Shelley; Jayson Gillham

LondonBerlioz: Symphonie fantastique

© Julia Wesely
Dukas, Rachmaninov, Berlioz
Philharmonia Orchestra; Paavo Järvi; Khatia Buniatishvili

Munich4. Jugendkonzert

Dukas, Zeller, Bernstein, Williams
Mitglieder der Münchner Philharmoniker; Julio Doggenweiler Fernandez; Mitglieder des ODEON-Jugendsinfonieorchesters
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Brilliance and grandeur from Petrenko and the Berlin Phi

Kirill Petrenko conducts the Berlin Philharmonic © Monika Rittershaus
Yuja Wang brings brilliance to Prokofiev at the Philharmonie, but Petrenko's conducting of rarities by Dukas and Schmidt also prove richly rewarding.
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Ghosts and musical magic from the Belgrade Philharmonic

Gabriel Feltz conducts the Belgrade Philharmonic © Marko Djokovic | Belgrade Philharmonic
The Belgrade Philhamonic presented a magical concert of music on supernatural themes.   
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A sinister Bluebeard's Castle from the NYOGB

Rinat Shaham (Judith) © Tracey Whitefoot
A thrilling concert by the National Youth Orchestra of Great Britain conducted by Sir Mark Elder culminated in a sinister and atmospheric performance of Duke Bluebeard's Castle.
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Scintillating Shéhérazade in Minneapolis

Virginie Verrez © Dario Acosta
Rafael Payare contrasts a stentorian Brahms Symphony 4 with colorful French scores, including a scintillating Shéhérazade.
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Esfahani's Poulenc the highlight in Auckland

Mahan Esfahani © Bernhard Musil | DG
Notwithstanding Esfahani and McKeish’s sterling account of the Poulenc and the orchestra’s thrilling take on The Sorcerer’s Apprentice, this was not a consistent enough concert to be called a complete success.
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