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Composer: Loewe, Frederick (1901-1988)

Fact file
Year of birth1901
Year of death1988
Period20th century
December 2018
Evening performance
Matinee performance
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TokyoShall We Music?

Shostakovich, Bernstein, Loewe
Kentaro Kawase; Tokyo Kosei Wind Orchestra

BerlinMy Fair Lady

© Iko Freese | drama-berlin.de
Loewe: My Fair Lady
Peter Christian Feigel; Andreas Homoki; Komische Oper Berlin; Arturo Gama; Chor der Komischen Oper Berlin; Orchester der Komischen Oper Berlin

TokyoAngela Gheorgiu & Tohmas Hampson

Bizet, Verdi, Puccini, Leoncavallo, Loewe, Lehár
Tokyo Philharmonic Orchestra; Eugene Kohn; Angela Gheorghiu; Thomas Hampson

MauguioChœur amoureux et Comédie Musicale

Gounod, Saint-Saëns, Boëllmann, Massenet, Mozart, Bizet, Gershwin, Kern, Berlin, Loewe, Bernstein, Porter
Orchestre national de Montpellier Occitanie; Noëlle Gény; Chœur de l'Opéra national Montpellier Occitanie

CologneMy Fair Lady

Loewe: My Fair Lady
Hilary Griffiths; Dietrich Hilsdorf; Oper Köln; Dieter Richter; Renate Schmitzer; Bjarni Thor Kristinsson; Aoife Miskelly
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Renée in the OC: Fleming opens Pacific Symphony season

Renée Fleming and Carl St Clair © Nick Koon
Renée Fleming joins the Pacific Symphony for Strauss, Italian Songs and Rodgers and Hammerstein. 
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My Fair Dame: Julie Andrews reigns in Sydney

Anna O'Byrne (Eliza Doolittle) © Jeff Busby
What a delight to revisit this 60th anniversary production of My Fair Lady in the directorial hands of its original Eliza, Dame Julie Andrews. 
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Glimmerglass Festival's Camelot fit for a king

Nathan Gunn  ©  Karli Cadel, Glimmerglass Festival
What does any theatergoer want from a stage musical? For starters, beautiful singing, solid acting, striking costumes, clever direction, and characters to love and to loathe. A melodic score with a few toe-tappers and a smart book and lyrics. The new production of Camelot presented at the Glimmerglass Festival is that theatergoer’s dream – a crowning glory, a royal treat.
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A magical gala evening with Bryn Terfel in Auckland

Bryn Terfel
The New Zealand Symphony Orchestra really has the perfect Wagner sound. Their full, vibrant string tone and magnificent pealing brass were fully in evidence in a thrilling rendition of the concert version of the overture from Tannhäuser.
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Nathan Gunn rules the stage in Washington

Nathan Gunn  ©  M Sharkey Photography
When I heard that Nathan Gunn was opening Washington National Opera’s 2012-13 season Celebrity Series, I could not be more excited. Indeed, this American baritone, known in the musical world as “the opera divo”, represents everything that today’s opera fans look for in a singer: a beautiful voice, first-class acting, an appealing physique and of course, a great sense of humor.
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