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Composer: Hasse, Johann Adolf (1699-1783)

April 2018
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MérignacGala Concert with Edgar Moreau

© Julien Mignot
Hasse, Platti, Durante, Vivaldi, Tartini, Boccherini
Il Pomo d'Oro; Edgar Moreau

CopenhagenFarinelli vs. Senesino

Porpora, Vinci, Bononcini, Handel, Gasparini, Giacomelli, Ariosti, Hasse, Sellitto
Concerto Copenhagen; Sonia Prina; Vivica Genaux; Lars Ulrik Mortensen

LondonConcerto Copenhagen: Farinelli vs. Senesino

Porpora, Vinci, Bononcini, Handel, Gasparini, Giacomelli, Ariosti, Hasse, Sellitto
Concerto Copenhagen; Sonia Prina; Vivica Genaux; Lars Ulrik Mortensen

LondonProm 26: Late Night Serpent and Fire

Purcell, Graupner, Sartorio, Locke, Handel, Castello, Cavalli, Hasse
Il giardino armonico; Giovanni Antonini; Anna Prohaska

InnsbruckLa Semele, o sia La richiesta fatale

La Semele, o sia La richiesta fatale
Hasse: La Semele, o sia La richiesta fatale
Claudio Osele; Georg Quander; Roberta Invernizzi; Sonia Prina; Francesca Aspromonte; Le Musiche Nove
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Dolce Duello: Cecilia Bartoli and Sol Gabetta in Baroque sparring at the Barbican

Sol Gabetta and Cecilia Bartoli © Esther Hasse | Decca
Cecilia Bartoli and Sol Gabetta show impressive camraderie in Baroque arias.
***11
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Moreau brings Baroque cello to the BBC Proms

Edgar Moreau © Julien Mignot
In his early twenties, French cellist Edgar Moreau, a rising star in performing Baroque repertoire on the cello, made his Proms debut at Cadogan Hall.
****1
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Going for Baroque with Julia Lezhneva in Sydney

Julia Lezhneva © Uli Weber | Decca
Julia Lezhneva partners with Richard Tognetti and the ACO to deliver a thrilling program of Baroque arias, in which her vocal agility and expressivity are on full display.
****1
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Anna Prohaska: pure and precise

Anna Prohaska © Harald Hoffmann | DG
Themed around legendary African queens Dido and Cleopatra, Prohaska’s recital with the virtuosi of Il Giardino Armonico could serve as a template for the ideal Baroque programme.
****1
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Hidden princes: Hasse's Demetrio from Opera Settecento

Ray Chenez © Julien Benhamou
The enterprising forces of Opera Settecento brought the nearly forgotten music of Hasse's Demetrio to the Cadogan Hall, and in the process showed that this composer can easily match his more popular contemporaries.
****1
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