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Composer: Bock, Jerry (1928-2010)

Find classical music concert, opera, ballet and dance listings | Bock
Fact file
Year of birth1928
Year of death2010
NationalityUnited States
Period20th century
September 2020
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Evening performance
Matinee performance
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SydneyFiddler on the Roof

Fiddler on the Roof
Bock: Fiddler on the Roof
Joel Grey; Opera Australia; Beowulf Boritt; Ann Hould-Ward

MelbourneFiddler on the Roof (A Fidler Afn Dakh)

Fiddler on the Roof (A Fidler Afn Dakh)
Bock: Fiddler on the Roof
Joel Grey; Opera Australia; Beowulf Boritt; Ann Hould-Ward

BerlinAnatevka

© Monika Rittershaus
Bock: Fiddler on the Roof
Koen Schoots; Barrie Kosky; Komische Oper Berlin; Rufus Didwiszus; Klaus Bruns; Jan Freese; Otto Pichler

ParisJoyce DiDonato

Bock, Caccini, Confrey, Delfine, Ellington, Giordani, Isham Jones, Marcello, Paisiello, Parisotti, Rodgers, Scheer, Shearing, Torelli
Joyce DiDonato; Craig Terry; Patrick Mulcahy; Jimmy Madison
Latest reviewsSee more...

Sir Bryn Terfel entertains and charms in Dublin

Sir Bryn Terfel © Mitch Jenkins | DG

Terfel delivers a dramatic Wagner, a witty Mozart and plenty of chutzpah in the Broadway hits. 

****1
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Bryn Terfel at the Bergen International Festival

Sir Bryn Terfel and Caradog Williams © Magnus Skrede
At their recital at the Bergen International Festival, Bryn Terfel and pianist Caradog Williams presented a programme of overwhelming sameness and neverending joviality.
**111
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Fiddler on the Roof returns to the Komische Oper

Max Hopp (Tevye) © Iko Freese | drama-berlin.de
“Fiddler on the Roof” as a universal parable of tradition 
*****
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A charismatic Fiddler on the Roof

Dancing, jokes, a pogrom and Bryn Terfel balancing on milk vats. It could only be Fiddler on the Roof. Grange Park Opera took an eclectic combination and planted if successfully on the Proms stage.
****1
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A bit of Wales comes to Birmingham: a night at the opera with Bryn Terfel and friends

A concert like this could have three possible outcomes: one, frustration at catching just a glimpse of a multitude of operas without the benefit of character or plot development or the embellishment of sumptuous costumes or stage sets; two, inspiration to delve further into the world of opera, nudged by tantalising hints of dramatic tension and a world of emotions; or three, sheer escapism into a
***11
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