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Composer: Lauridsen, Morten (b. 1943)

Fact file
Year of birth1943
NationalityUnited States
PeriodContemporary
April 2019
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06070809101112
Evening performance
Matinee performance
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BarcelonaCoro Anton Bruckner: La Llum de la Neu

Coro Anton Bruckner: La Llum de la Neu
Requesens Roca, Poulenc, Doherty, Howells, Ollé i Sabaté, Vivancos, Rutter, Whitacre, Ešenvalds, Lauridsen
Júlia Sesé; Cor Anton Bruckner

BristolLife, Love & Hope

© Bristol Choral Society
Copland, Lauridsen, Tippett
Bristol Choral Society

SalfordGlory and Light

Chilcott, Lauridsen, Whitacre, Haydn, Vivaldi
Tom Newall; Salford Choral Society; Roderick Barrand
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Ancient and Modern Christmas icons

Greyfriars Kirk, Edinburgh © Carlos Delgado, Wikicommons
Britten’s Ceremony of Carols with pieces by Tavener, MacMillan and Lauridsen contrast with Byrd and Dowland in a thoughtful and moving performance of Christmas musical icons from the Scottish Chamber Orchestra Chorus.
****1
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The divine and the worldly: Exultate Singers at St George's Bristol

Choral concerts often have programmes that read like compilation CDs. I don’t mean this negatively: there are countless reasons why a greater number of contrasting pieces is required – timbral, textual, temporal, contextual, historical, and so on.
****1
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Modern music in London from Oakham School Chamber Choir

This was my second visit to the Brandenburg Choral Festival, and I was looking forward to seeing younger performers tackle some challenging music. The experience outlined in the programme that Oakham School Chamber Choir have had is impressive, with the school giving over 80 concerts a year and touring recently to Dublin and Paris.
***11
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John Daly Goodwin Bids Farewell to the New York Choral Society

After 25 years at the helm, John Daly Goodwin, Music Director of the New York Choral Society (NYCS), gave his final concert Friday night at Carnegie Hall.
****1
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Magisterial Bruckner from Vienna's Chorus sine nomine

A fair amount of Bruckner gets performed in Vienna, but it’s rare to hear a Bruckner Mass and even rarer to hear one programmed alongside a piece like Ligeti’s Lux Aeterna.
*****
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