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Composer: Leclair, Jean-Marie (1697-1764)

Fact file
Year of birth1697
Year of death1764
NationalityUnknown
PeriodClassical
July 2018
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Evening performance
Matinee performance
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SeattleLeclair, Dvorak, Faure, Barber, & Brahms

© Tom Marks Photography
Leclair, Dvořák, Fauré, Barber, Brahms
Alexander Kerr; Jun Iwasaki; James Ehnes; Bion Tsang

ZürichA Baroque Journey

© Daniel Hope (c) Tibor Bozi
Ortiz, Handel, Falconieri, von Westhoff, Matteis, Vivaldi, Traditional, Leclair, Uccellini
Daniel Hope; Simos Papanas; Nicola Mosca; Emanuele Forni

ViennaKammermusik der Wiener Philharmoniker 5

Leclair, Bartók, Genzmer, Bax, Fauré, Debussy
Aurora Trio Wien; Charlotte Balzereit; Karl-Heinz Schütz; Gerhard Marschner

Quebec"Tous les matins du monde" au Club musical de Québec

© Noma
Lully, Sainte-Colombe, Caurroy, Marais, Couperin, Rameau, Leclair
Le Concert des Nations; Jordi Savall

ArundelSouth Stoke Series: Les Nations

Handel, Purcell, Sammartini, Leclair, Vivaldi, Telemann
Amelia Shakespeare; Iain Hall; Gabriella Jones; Abel Balazs
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All the evenings of the world

Jordi Savall © Teresa Llordes
Jordi Savall's returns to 1991 film soundtrack and captivates a full house at St John's Smith Square.
*****
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L'Esprit français: Les Talens Lyriques in Auckland

Christophe Rousset © Eric Larrayadieu
Les Talens Lyriques gave performances of the utmost sophistication and elegance, more than living up to their reputations of masters of this repertoire.
*****
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Half of Kelemen Quartet entertains in substitute Sydney concert

Kelemen Quartet © Tamás Dobos
When is a quartet not a quartet? Answer: when the cellist breaks her wrist while surfing. Barnabas Kelemen and Katarina Kokas give a duo recital in place of Kelemen String Quartet at the City Recital Hall, Sydney.

Terrific Telemann, luscious Leclair, and brilliant Bachs

Rachel Brown  ©  C Christodoulou
The London Handel Players should be applauded for many things, from their characteristically warm and full sound through to their consistently thoughtful approach to how they play.
*****
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Carmignola ou la quadrature des talents avec l’Orchestre d’Auvergne

© Roland Duclos
Il est des musiques faites pour être écoutées, d’autres pour être entendues, d’autres encore pour être comprises quand la plupart ne sont hélas que jouées. Enfin quelques unes sont heureusement vécues. Tout est question d’interprétation et les musiciens ne sont pas légion à pouvoir y prétendre. 
*****
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