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Composer: Leighton, Kenneth (1929-1988)

Fact file
Year of birth1929
Year of death1988
NationalityUnknown
Period20th century
October 2018
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Evening performance
Matinee performance
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LondonA Londinium Bestiary

A Londinium Bestiary
Gjeilo, Hughes, Leighton
Andrew Griffiths; Londinium

BasingstokeThe Sixteen at Christmas

The Sixteen at Christmas
Sweelinck, Howells, Bennett, Walton, Kirbye, Leighton, Byrd, Palestrina, de Wert, Phibbs, McDowall, Sheppard, Warlock
The Orchestra of The Sixteen; Harry Christophers; The Sixteen

LondonThe Sixteen – The Little Child

Sweelinck, Howells, Bennett, Traditional, Walton, Kirbye, Leighton, Byrd, Palestrina, de Wert, Phibbs, McDowall, Sheppard, Warlock
Harry Christophers; The Sixteen

ReadingThe Sixteen & Harry Christophers

Sweelinck, Howells, Bennett, Walton, Kirbye, Leighton, Traditional, Byrd, Palestrina, de Wert, McDowall, Sheppard, Warlock
Harry Christophers; The Sixteen

St AlbansPhilip Scriven

Bach, Leighton, Messiaen, Rütti, Duruflé
Philip Scriven, Organ
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Light shining through tears: VOCES8 at Milton Abbey

VOCES8 © Ikon Arts
Light shines through tears in a concert with a luxurious line-up of VOCES8, the Academey of Ancient Music and Robert Hollingworth at the Milton Abbey Music Festival in Dorset. 
****1
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Vivamus impress with Britten and Whitacre at Brandenburg Choral Festival

Vivamus
After the overload of concerts and carol singing around Christmas, most choirs have a well-deserved break before starting for another year, but not Vivamus. This young London-based choir entered 2013 in style with a candlelit concert for Epiphany.
****1
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The Sixteen and Harry Christophers get ready for Christmas in Oxford

The theme of tonight’s concert, revealed the programme notes, was that of “marking time and preserving timeless values” – Christmas being a season that connects the past with the present.
****1
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A Garland for St. George: Vivamus sing Byrd in Bloomsbury

Vivamus Choir
There’s a trend amongst programmers nowadays to provide concerts with a ‘hook’: an extra-musical incentive to pull the punters in, or at least help performers pinpoint their pieces.
***11
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