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Composer: Marenzio, Luca (1553-1599)

Fact file
Year of birth1553
Year of death1599
NationalityItaly
PeriodEarly
January 2019
MonTueWedThuFriSatSun
31010203040506
07080910111213
14151617181920
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04050607080910
Evening performance
Matinee performance
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BerlinConcerto Italiano (Madrigale & Motetten)

Marenzio, de Wert, Nenna, Luzzaschi, d'India, Monteverdi
Concerto Italiano; Rinaldo Alessandrini; Monica Piccinini; Raffaele Giordani; Sonia Tedla; Luca Cervoni

LondonThe Gesualdo Six – Passion and Polyphony

Tallis, Byrd, Talbot, Tormis, Gesualdo, Ligeti, Marenzio, Palestrina, Rimkus, Park, Poulenc, Traditional
Owain Park; The Gesualdo Six

LondonDame Emma Kirkby

Dowland, Byrd, Gibbons, East, Marenzio, d'India, Notari, Lawes, Purcell
Dame Emma Kirkby; Miriam Allan; Steven Devine; Jakob Lindberg
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The King's Singers charm Dublin

The King's Singers © Axel Nickolaus
Madrigals and Folksongs: the King's Singers entertain and delight in a progromme spanning 400 years with glorious singing. 
****1
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Proms Chamber Music 2: The Huelgas Ensemble in Renaissance Poland

Paul van Nevel; image by Michiel Hendryckx
The theme of Polish music running subtly throughout this year’s BBC Proms is mostly evident through late 19th- and 20th-century repertoire: Szymanowski, Tchaikovsky’s “Polish” Symphony, lots of Lutosławski. Perhaps oddly, Chopin hasn’t featured at all.
****1
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Les Arts Florissants en el Auditorio: reivindicación de Gesualdo (I)

Miriam Allan, Hannah Morrison, Mélodie Ruvio, Sean Clayton, Paul Agnew y Edward Grint © CNDM | Elvira Megías
Es menester encomiar la dirección de Agnew y el desempeño de sus músicos, que lidiaron obstinadamente con una complejidad contrapuntística no menor a la exigida por la afinación de cada nota, y obtuvieron éxito preponderante en la ejecución de las constantes disonancias y cromatismos. 
***11
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The Sixteen: la exquisitez de la polifonía

El conjunto británico The Sixteen © Arnaud Stephenson
The Sixteen y Harry Christophers emocionan con un programa dedicado a la música de la Capilla Sixtina en los siglos XVI y XVII
*****
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