Fact file
| Year of birth | 1956 |
| Nationality | Unknown |
| Period | 20th century |
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| 30 | 01 | 02 | 03 | 04 | 05 | 06 | |||||||
| 07 | 08 | 09 | 10 | 11 | 12 | 13 | |||||||
| 14 | 15 | 16 | 17 | 18 | 19 | 20 | |||||||
| 21 | 22 | 23 | 24 | 25 | 26 | 27 | |||||||
| 28 | 29 | 30 | 31 | 01 | 02 | 03 | |||||||
| 04 | 05 | 06 | 07 | 08 | 09 | 10 |
Evening performance
Matinee performance
Upcoming eventsSee more...
StockholmByström, Harrison, Martinsson, Mendelssohn
Byström, Harrison, Martinsson, Mendelssohn
Musica Vitae; Lisa Larsson; Malin Broman
AmsterdamRising Stars: clarinettist Magnus Holmander
Arnold, Saint-Saëns, Poulenc, Kien, Pärt, Martinsson
Magnus Holmander; David Huang
StockholmArnold, Saint-Saëns, Poulenc, Kien, Pärt, Martinsson
Arnold, Saint-Saëns, Poulenc, Kien, Pärt, Martinsson
David Huang; Magnus Holmander
Latest reviewsSee more...
Trumpet extraordinary: Nordic passions from Hardenberger and Rouvali
Santtu-Matias Rouvali is an exciting conductor to watch, totally at home in the all-nordic repertoire of Sibelius and Martinsson, in whose concerto Håkan Hardenberger displayed his total mastery of the trumpet.
Lisa Larsson: Song of Norway... and Sweden
Soprano Lisa Larsson and pianist Roland Pöntinen dispelled the midwinter gloom with a heavy dose of Scandinavian Romanticism and the Dutch première of Rolf Martinsson's Songs on Poems by Emily Dickinson.
Songs from the heart
Antonello Manacorda, the Gothenburg Symphony and Lisa Larsson show that the most beautiful route from Germany to America is the one via Sweden.
Cleveland Orchestra's season ends with Manfred Honeck and Lars Vogt
After a very successful week on location in Cleveland’s west side Gordon Square neighborhood playing concerts in bars, coffee shops, school classrooms and a large Roman Catholic church, The Cleveland Orchestra returned to their Severance Hall home for the last weekend of concerts of the 2012/13 subscription season.
Royal Stockholm Philharmonic Orchestra charms and delights at Carnegie Hall
Perelman Stage at Carnegie Hall is by no means a modest-sized concert stage, and the Royal Stockholm Philharmonic Orchestra seemed to take up every square inch of it. The sheer size of the orchestra is initially what struck me, until the opening lines of Rolf Martinsson’s Open Mind, Op. 71.
