Composer: Richter, Max (b. 1966)

Audio and film permeate Marriott's new work for the Royal Ballet, recounting the tale of Ted Feltham, a British Soldier uuring World War 1, and his fiancée, Florence Billington. 

Everything Pite choreographs turns to gold and when Young is also involved it’s an especially rich vein.

With Contrasts, the Mariinsky dancers are put under a multifaceted microscope. 

A fascinating collaborative, creative effort combines to make this the most important new work to enter the repertoire of The Royal Ballet, thus far, in the twenty-first century

This was a terrific performance by a world class troupe of dancers.