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Composer: Muhly, Nico (b. 1981)

Fact file
Year of birth1981
NationalityUnited States
May 2019
Evening performance
Matinee performance
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OranjewoudSo Many Things: Anne Sofie von Otter & Brooklyn Rider

Shaw, Jacobsen, Muhly, Björk, Costello
Anne Sofie von Otter; Brooklyn Rider

TwickenhamCalefax reed quintet

© Marco Borggreve
Corelli, Janáček, Franck, Muhly, Satie, Coots, des Prez

LyddThe King's Singers Gold 50

Ley, Chilcott, Vásquez, de Lassus, Hession, Fauré, Auric, Dijk, Richards, Patterson, Martland, Muhly
The King's Singers

LondonRaising the roof

Raising the roof
Ravel, Gibbons, Muhly, Fauré, Saint-Saëns
London Philharmonic Orchestra; Yan Pascal Tortelier; James McVinnie

New York CityTimo Andres, Piano

Andres, Adams, Andriessen, Dennehy, Glass, Mehldau, Muhly, Holcomb, Smith, Copland, Rzewski
Timo Andres, Piano
Latest reviewsSee more...

Outstanding Schubert Ninth from Nézet-Séguin and the Phil Orchestra

Yannick Nézet-Séguin conducting the Philadelphia Orchestra at Carnegie Hall © Steve Sherman
Nico Mulhy's great gift as an orchestrator and his ability to construct colorful and suggestive textures are evident in Liar, presented by the Philadelphia Orchestra together with Schubert and Mendelssohn.
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A boisterous Junior Company showcases experimental choreography

Alexandria Marx and Dingkai Bai in What got you here © Hans Gerritsen
What the young dancers lack in finesse they make up in boisterousness. Sidorova's dance vocabulary seems endless. Kuindersma's Mesmer radiates into the theatre.
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Happy New Year from Aurora and friends

Nicholas Collon and Nico Muhly © Viktor Sugeng
An adventurous and unusual end to Kings Place's Time Unwrapped series and some striking collaborations with Aurora Orchestra.

Superb production and cast can't make The Met's Marnie live

Isabel Leonard (Marnie) and Iestyn Davies (Terry) © Ken Howard | Metropolitan Opera
The cast, sets, costumes and direction of Muhly's opera Marnie impress, but the music somehow falls short of expectations.
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Muhly's Marnie fails to find the drama of the novel

Sasha Cooke (Marnie) © Richard Hubert Smith
A decent cast was unable to redeem a fundamentally dull opera that lacks the psycholgical complexity and tension of both the original Graham novel and its famous Hitchcock adaptation.
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