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Composer: Nicolai, Otto (1810-1849)

May 2019
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Evening performance
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GöttingenLand of Hope and Glory

Nicolai, Handel, Vaughan Williams, Elgar
Göttingen Symphony Orchestra; Nicholas Milton; Daniel Sepec; Kantorei St. Jacobi

HalleAbschlusskonzert mit Musikfeuerwerk „Von lustigen und anderen Weibern“

Nicolai, Handel, Mendelssohn, Sullivan
Staatskapelle Halle; Peter Kopp; Vocal Concert Dresden; Chor der Evange­lischen Hochschule für Kirchenmusik

New York CityCarnegie Hall’s Opening Night Gala

Nicolai, Beethoven, Strauss R.
The Cleveland Orchestra; Franz Welser-Möst; Anne-Sophie Mutter; Lynn Harrell; Yefim Bronfman

GlasgowSymphony, Soup and a Sandwich: Brahms Piano Quartet no.1

Nicolai, Brahms
Royal Scottish National Orchestra; Junping Qian

DresdenKlassik Picknickt

Schubert, Martinů, Nicolai, Strauss II, Strauss
Sächsische Staatskapelle Dresden; Franz Welser-Möst; Frank Peter Zimmermann
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Waseda Symphony at the Elbphilharmonie

Kazufumi Yamashita © Miura Koichi
The remarkable youth orchestra that is the Waseda Symphony from Tokyo performs a programme of western Romantic music conducted by Kazufumi Yamashita together with a knockout contemporary Japanese work.
****1
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Alek Shrader - a mysterious Wigmore debut

Alek Shrader © Peter Schaaf
Alek Shrader's Wigmore Hall debut was thrilling, touching, charming and mysterious.
***11
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Glorious Elgar from Osmo Vänskä and the LPO

Hyeyoon Park © Giorgia Bertazzi
A superb partnership between Osmo Vänskä and the LPO created a thrilling account of Elgar’s First Symphony but put Korngold’s Violin Concerto in the shade.
****1
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Betrothal and Betrayal: JPYA summer performance

Excerpt from Adriana Lecouvreur © Clive Barda
School’s out for summer and with it the opportunity for the Royal Opera’s Jette Parker Young Artists to showcase their talents in the end of term main stage performance. 
***11
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Die Lustigen Weiber von Windsor

Otto Nicolai’s very German take on Shakespeare’s The Merry Wives of Windsor was a big hit in the mid-19th century but has been infrequently performed since then, largely because Verdi’s version, Falstaff, completely eclipsed it.