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Composer: Nicolai, Otto (1810-1849)

October 2018
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Evening performance
Matinee performance
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HamburgRoyal Philharmonic Orchestra - Spätromantisch und ergreifend

© Uwe Arens
Nicolai, Elgar, Rachmaninov
Royal Philharmonic Orchestra; Lionel Bringuier; Sol Gabetta

Frankfurt am MainRoyal Philharmonic Orchestra & Sol Gabetta

Royal Philharmonic Orchestra & Sol Gabetta
Nicolai, Elgar, Rachmaninov
Royal Philharmonic Orchestra; Lionel Bringuier; Sol Gabetta

LondonLove, Legends and Fairy Tales

Love, Legends and Fairy Tales
Nicolai, Dvořák, Rimsky-Korsakov
Royal Philharmonic Orchestra; Lionel Bringuier; Daniel Müller-Schott

MontrealRichard Strauss' An Alpine Symphony

Nicolai, Mendelssohn, Strauss R.
Orchestre Symphonique de Montréal; Juraj Valčuha; André Laplante

St PetersburgNicolai, Schubert, Liszt

Nicolai, Schubert, Liszt
St Petersburg Symphony Orchestra; Michail Jurowski; Evgeny Izotov
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Waseda Symphony at the Elbphilharmonie

Kazufumi Yamashita © Miura Koichi
The remarkable youth orchestra that is the Waseda Symphony from Tokyo performs a programme of western Romantic music conducted by Kazufumi Yamashita together with a knockout contemporary Japanese work.
****1
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Alek Shrader - a mysterious Wigmore debut

Alek Shrader © Peter Schaaf
Alek Shrader's Wigmore Hall debut was thrilling, touching, charming and mysterious.
***11
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Glorious Elgar from Osmo Vänskä and the LPO

Hyeyoon Park © Giorgia Bertazzi
A superb partnership between Osmo Vänskä and the LPO created a thrilling account of Elgar’s First Symphony but put Korngold’s Violin Concerto in the shade.
****1
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Betrothal and Betrayal: JPYA summer performance

Excerpt from Adriana Lecouvreur © Clive Barda
School’s out for summer and with it the opportunity for the Royal Opera’s Jette Parker Young Artists to showcase their talents in the end of term main stage performance. 
***11
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Die Lustigen Weiber von Windsor

Sky Ingram and Barnaby Rea  ©  Clive Barda
Otto Nicolai’s very German take on Shakespeare’s The Merry Wives of Windsor was a big hit in the mid-19th century but has been infrequently performed since then, largely because Verdi’s version, Falstaff, completely eclipsed it.