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Composer: Torelli, Giuseppe (1658-1709)

Find classical music concert, opera, ballet and dance listings | Torelli
Fact file
Year of birth1658
Year of death1709
NationalityUnknown
PeriodBaroque
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LondonBaroque Christmas by Candlelight

© Chris Grist
Corelli, Torelli, Handel, Bach, Vivaldi
London Concertante

MadridJoyce DiDonato

Joyce DiDonato
Giordani, Wrubel, Torelli, Ellington, Shearing, Rodgers
Joyce DiDonato; Craig Terry; Chuck Israels; Charlie Porter

LinzEin königliches Rendezvous

Viviani, Stanley, Handel, Rinck, Torelli, Bach
Johannes Moritz; Bernhard Prammer

ParisJoyce DiDonato

Bock, Caccini, Confrey, Delfine, Ellington, Giordani, Isham Jones, Marcello, Paisiello, Parisotti, Rodgers, Scheer, Shearing, Torelli
Joyce DiDonato; Craig Terry; Patrick Mulcahy; Jimmy Madison
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Academy of Ancient Music on brilliant form at Disney Hall

Rowan Pierce © Gerard Collett
The Academy of Ancient Music played with such stylistic elegance, charm and sheer physical beauty that it was like hearing I Musici and Virtuosi di Roma for the first time in this repertoire in the 1950s.
*****
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Soulful Advent music from the Scottish Ensemble with Sean Shibe

Sean Shibe © Kaupo Kikkos
The Scottish Ensemble with guitarist Sean Shibe perform a thoughtful programme of ancient and modern Christmas-themed music in a candlelit St John’s Kirk.
****1
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The Trumpet Shall Sound

© Mario Mintoff PhotoCity
In the opening concert of the fifth Valletta International Baroque Festival, soloist Andrea Di Marco shows the versatility of the Baroque trumpet.
***11
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Nicola Benedetti and the European Union Chamber Orchestra sparkle in Birmingham

What better antidote to the hustle and bustle of Christmas shopping than a sackful of festive concertos? With Birmingham’s famous German market in full swing right outside the Town Hall, inside was also packed with concertgoers of all ages eager to hear celebrated violinist Nicola Benedetti.
***11
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Peter Sheppard Skærved's Soundbox 2: Flourish in the Harmony

The second of violinist Peter Sheppard Skærved's Soundbox series once again took place in the exposed-brick Green Room above the bar at Wilton's Music Hall. As with Soundbox 1, the programme comprised short bursts of music with readings of contemporary material, but this time we also had visual aids in the form of postcards, which were referred to througout.
****1
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