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Composer: Zemlinsky, Alexander von (1871-1942)

August 2018
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Evening performance
Matinee performance
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KrakowThe Cracow Wind Quintet and Paweł Gusnar

Zemlinsky, Łukaszewski, Malawski, Dębski, Arnold, Farkas, Milhaud
The Cracow Wind Quintet; Paweł Gusnar

La Chaise-DieuChants d'un compagnon errant

Zemlinsky, Schreker, Mahler
Amaury du Closel; Jiwon Song; Ensemble Voix étouffées

SingaporeSSO Subscription: Brahms Piano Concert 2

Zemlinsky, Brahms
Singapore Symphony Orchestra; Hans Graf; Martin Helmchen

ZürichBrunch & Lunch Concert: Vienna around 1900

Brunch & Lunch Concert: Vienna around 1900
Zemlinsky, Schreker
Lionel Pointet; Deniz Uzun; Hanna Weinmeister; Alexander Gropper; Robert Pickup

AmsterdamStrauss with the Royal Concertgebouw Orchestra

© Anne Dokter
Zemlinsky, Strauss R., Berg
Royal Concertgebouw Orchestra; TBC
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Kissing her hair: Barbara Hannigan at Park Avenue Armory

Barbara Hannigan at Park Avenue Armory © Da Ping Luo
Barbara Hannigan joined pianist Reinbert de Leeuw for a Second Viennese School recital at the Park Avenue Armory.
*****
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Death in Florence: Zemlinsky and Puccini at DNO

Ausrine Stundyte (Bianca) and John Lundgren (Simone) © Matthias Baus
An unlikely coupling of one-act operas by Zemlinsky and Puccini bears fruit in a staging that reveals their thematic parallels while leaving their obvious differences on show.
****1
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Lust, silk and strangulation: A Florentine Tragedy

Lawrence Thackeray (Guido) and Becca Marriott (Bianca) © Lidia Crisafulli
Zemlinsky's dark story of infidelity and murder, from Oscar Wilde's unfinished play, poses a significant musical challenge for both audience and director. 
***11
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Hidden gems at the New Life Festival in Berlin

Gila Goldstein © Lisa-Marie Mazzucco
The first edition of the New Life Festival, dedicated to Jewish musicians who fled from or suffered under the National Socialist regime during the Second World War, uncovered some hidden gems.
**111
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Zemlinsky’s Der Zwerg in Boston

Kirsten Chambers (Donna Clara), Aleš Briscein (the Dwarf) © Kathy Wittman
Zemlinsky's tortured take on Oscar Wilde's Birthday of the Infanta is given a harrowing treatment; Aleš Briscein convinces as the dwarf of the title.
****1
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