“It is difficult in no common degree to write anew concerning The Messiah,”1 said the music writer Henry F Chorley in 1859. The piece was, of course, 117 years old at the time, and there has only been more written on this landmark composition since. Handel’s Messiah is not just a popular classic, after all: it’s also a hugely important work.
Two years ago, my voice teacher invited to my very first Messiah performance with the Downers Grove Choral Society, of which he was the director. During the three-hour performance, I vividly recall feeling incredibly uplifted in indescribable spiritual bliss for the whole time I spent in the seat, intensely listening to the historically-informed rendition.
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