“It is difficult in no common degree to write anew concerning The Messiah,”1 said the music writer Henry F Chorley in 1859. The piece was, of course, 117 years old at the time, and there has only been more written on this landmark composition since. Handel’s Messiah is not just a popular classic, after all: it’s also a hugely important work.
With only twelve singers, including the soloists, the Dunedin Consort gives an insight into what the first Messiah might have sounded like in Dublin's Musick Hall in 1742.
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