The adjective in the title of Britten’s 1934 Simple Symphony could refer to the ease with which listeners can spot each movement’s two contrasting themes. Attentive, lively use of tempo, dynamics, phrasing, colour enabled Peter Oundjian and the RSNO to make the most of young Britten’s diversity within impressive compositional unity.
****1
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
