Principal contrabassist of the Royal Stockholm Philharmonic Orchestra talks about why Mahler’s restless and volatile First Symphony is a highlight of any orchestra season.
There is a tendency in the reviews of Marin Alsop to start by mentioning the obvious; that is, she is the first female conductor to have conducted the last night of the Proms and that she is the first female Music Director of the Baltimore Symphony Orchestra. So let me start with the surprising: that Alsop is Irish.
****1
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.
