Leonskaja, o cuando Schubert daña

By Mario Muñoz, 04 July 2015

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“jugó magníficamente con la intensidad de su caída de manos y dio entidad a cada motivo melódico”

Reviewed at Auditorio Nacional de Música, Madrid on 30 June 2015

Schubert, Piano Sonata no. 2 in C major, D.279

Schoenberg, Suite, Op.25

Schubert, Fragments of Sonata no. 11 in F minor, D.625

Schubert, Piano Sonata no. 21 in B flat major, D.960

Elisabeth Leonskaja, Piano

Batons and broomsticks with Joana Mallwitz in Berlin

Elena Luporini, 22nd February

A folk-centred programme delights Berlin's Konzerthaus under the conducting of Joana Mallwitz – with the special participation of soloist Elisabeth Leonskaja.

****1

Leonskaja and the Staatskapelle Streichquartett at Wigmore Hall

Chris Garlick, 20th September

The contrasts in Brahms' two early piano quartets are highlighted by side by members of the Staatskapelle Streichquartett and Elisabeth Leonskaja.

****1

An unforgettable musical experience at the Ragged School Museum

Chris Garlick, 4th October

The final event of the Ragged School Museum Festival saw a programme of Brahms and Shostakovich in the wonderful Victorian museum, tucked away at the heart of the East End.

*****

Beethoven or bust: anniversary series launched at Wigmore Hall

Mark Pullinger, 15th September

Early and late Beethoven in the closing two recitals of Wigmore Hall's Beethoven Festival Weekend.

****1

Leonskaja's Schubert thrills the Pierre Boulez Saal

David Karlin, 22nd November

A pair of A minor sonatas demonstrate the composer's evolution over his lifetime; the Wanderer Fantasy shows the pianist's mastery of phrasing.

****1

Mediocre Beethoven but brilliant Shostakovich from the SCO

Simon Thompson, 1st February

The SCO’s strings play as though they had an insight into the composer’s psyche that few could share.

****1

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Mario Muñoz

Mario Muñoz Carrasco (Madrid, 1976) es compositor y crítico musical. Cursa estudios de Guitarra Clásica en la Escuela de Música Creativa para especializarse más adelante en Composición e Improvisación Jazz en la Escuela de Nuevas Músicas. Desde el 2007 ejerce como crítico musical en distintos medios, tanto en radio como en prensa escrita, a la par que participa en actividades musicales de diversa índole (ponencias, congresos, confección de temarios, notas a programas, cursos de apreciación musical, etcétera). Desde su creación en 2011 cursa el Grado en Musicología de la UCM, formando parte de su primera promoción.