Le pâle retour aux sources du Czech Philharmonic dans Mahler

Semyon Bychkov dirige le Czech Philharmonic à la Philharmonie de Paris

Le Czech Philharmonic et Semyon Bychkov à la Philharmonie de Paris

By Erwan Gentric, 20 October 2022

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“Le Czech Philharmonic nous offre une nouvelle preuve de ses sonorités inimitables”

Reviewed at Philharmonie de Paris: Grande salle Pierre Boulez, Paris on 18 October 2022

Mahler, Symphony no. 7

Czech Philharmonic

Semyon Bychkov, Conductor

A heartfelt reunion with the Czech Philharmonic in Prague

Frank Kuznik, 19th March

A stellar soloist and deft work by Semyon Bychkov put a fresh spin on familiar fare in the Rudolfinum.

****1

Searing Kindertotenlieder from Fleur Barron and Czech Philharmonic

Gianmarco Segato, 18th February

Fleur Barron delivers a searing Kindertotenlieder in the Czech Philharmonic's mini-survey of the Germanic Romantic repertoire under Semyon Bychkov.

****1

Rockin’ at the Rudolfinum: the Czech Phil plays Bryce Dessner

Frank Kuznik, 5th February

American guitarist and composer Bryce Dessner brings a subdued palette to his debut appearance with the Czech Philharmonic.

****1

Modern mayhem from Thomas Adès and the Czech Philharmonic

Frank Kuznik, 5th December

The composer and conductor celebrates Pierre Boulez's 100th birthday in fine fashion with a smart program and fervent work from both sides of the podium.

*****

Chills and thrills from Pappano and the Czech Philharmonic

Frank Kuznik, 27th November

In expert hands, a terrifying 12-tone opera and a heroic piano concerto rattle the walls in Prague’s Rudolfinum.

*****

Spirited Velvet Revolution concert from Oramo and the Czech Phil

Frank Kuznik, 16th November

Conducted by Sakari Oramo, the Czech Philharmonic turn in a brilliant performance of Mahler's Resurrection Symphony that lights all the old revolutionary fires.

*****

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Erwan Gentric

Initié dès son plus jeune âge à la musique classique, par l’étude du piano d’abord, puis par les affinités électives entretenues avec quelques disques des rayonnages familiaux, Erwan mène désormais de front l’exercice de la critique musicale pour Bachtrack et Diapason, ainsi qu’un doctorat de musicologie à l’École Pratique des Hautes Études. Soutenues par une bourse de la Fondation Royaumont, ses recherches portent sur l’Association artistique des Concerts Colonne de 1873 à 1910.

Le pâle retour aux sources du Czech Philharmonic et Semyon Bychkov dans la Septième de Mahler