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Birmingham Royal Ballet presents a double bill subtitled ‘Two ballets fuelled by power and politics’ as part of David Bintley’s last season as director. 

Lest We Forget, a triptych of original work first commissioned in 2014 for the centenary of the outbreak of the First World War now returns to the repertoire to commemorate a hundred years since the armistice of 1918.

Phoenix Dance Theatre collides with the headlines with their mixed programme at Sadler's Wells.

Ballet Boyz at Sadlers Wells with a programme about the creative process - among other things.

Matthew Bourne offers a cleverly structured blockbuster that looks and sounds ravishing.

Clod Ensemble revive their fascinating 2008 creation, Under Glass, at Hackney Showroom, directed by Suzy Wilson and presented by Sadler’s Wells. 

The person responsible for the explosion of ballet across the world in the twentieth century wasn’t a dancer. He wasn’t a choreographer either. Nor was he a musician or a composer. He wasn’t even very rich.It has never been particularly clear what exactly it was that Sergei Pavlovich Diaghilev did for dance, but one thing is certain; he made dance the vibrant, international art form it is today.

This Ashton programme at the Royal Ballet displays all the hallmarks of the Ashton style; lightness, musicality and a beautiful quality of stillness.

Discovering the early works that created Matthew Bourne's style.

For the second time in a week, Birmingham Royal Ballet celebrate Shakespeare with a wonderful evening of dance.

It can’t be easy to programme a Shakespeare season that has something new to say about this giant figure in a year of excellent productions up and down the country, but this programme achieves it. 

The enduring power of the female voice in dance at ENB

This Royal Ballet programme shows Sir Frederick Ashton's versatility of subject while never scrimping on unmistakeable style.

Annabelle Lopez Ochoa and Nancy Meckler's stunning stage adaptation of Tenesse Williams' A Streetcar Named Desire delights Scottish Balllet audiences in London.

Ballet Black's dancers rise magnificently to the occasion again in this mixed bill of new and revived work.

The Royal Ballet marks the centennary of the First Wolrd War with a reflective, and commemorative programme. With works by Branstrup and Wheeldon, as well as a Scarlett world première.

The Royal Ballet's Ashton programme is a rare delight; and the mix of pieces shows how that know-it-when-you-see-it Ashton style is perfectly versatile.