Royal Ballet's commemorative bill

Von Rym Kechacha, 10 November 2014

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Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 7 November 2014

Ceremony of Innocence (Kim Brandstrup)

The Age of Anxiety (Liam Scarlett)

Aeternum (Christopher Wheeldon)

The Royal Ballet

Kandis Cook, Bühnenbild

John Macfarlane, Bühnenbild

Jean-Marc Puissant, Bühnenbild

Christina Arestis, Tanz

Edward Watson, Tanz

Marcelino Sambé, Tanz

Bennet Gartside, Tanz

Laura Morera, Tanz

Steven McRae, Tanz

Tristan Dyer, Tanz

Kevin Emerton, Tanz

Grigorian überstrahlt die Wiederaufnahme von Eugen Onegin an der Met

Susan Stempleski, 20th April

Die fesselnde Darstellung der litauischen Sopranistin in der Hauptrolle von Tschaikowskys Opernmeisterwerk belebt Deborah Warners ansonsten eher blasse Inszenierung.

****1

Deborah Warner culmina su sueño escénico en el Teatro Real

Juan José Freijo, 12th March

Warner vuelve a mostrar su talento indiscutible en la escena y su afinidad con Benjamin Britten, aunque, en esta ocasión, el aspecto musical no ha acompañado lo suficiente.

***11

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

Brandstrup Breaking Bach with the OAE at EIF

Kathy Elgin, 20th August

Kim Brandstrup choreographs Bach favourites based on hip hop and street dance. Lie back on the bean bags at Usher Hall and enjoy...

****1

Phaedra + Minotaur at the Linbury: truly arresting performances

Amanda Jennings, 6th February

Two individual works worth seeking out with outstanding performances in each.

****1

Phaedra/Minotaur: the EIF’s most upmarket song and dance event

Kathy Elgin, 19th August

Incest, family secrets, murder… this is a fiercely compelling evening of dance, drama and song.

*****

Weitere Kritiken...

Rym Kechacha

Rym Kechacha trained at Central School of Ballet and danced with Northern Ballet. She has blogged for Ballet.co, reviewed for DanceTabs and contributed to The Dancing Times and Dance Europe. She also writes fiction, essays and text messages.

Amidst the fields of poppies: The Royal Ballet's commemorative programme.