Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.
Celebrating Alessandra Ferri's 40-year association with The Royal Ballet by reviving Maurice Béjart's L'Heure exquise, a rarely-seen work by one of Europe's great 20th-century choreographers.
A story of broken lives, through civil war, persecution and flight, set against the songs of Sting, is surprisingly joyous and uplifting at the Peacock Theatre.
The world premiere of Eye Candy by Imre and Marne van Opstal, best known for their work at Nederlands Dans Theater, together with a livestream premiere of Marion Motin’s Rouge.
Ballett am Rhein's reputation continues to grow under Demis Volpi with a restaging of Aszure Barton's 2006 creation for Mikhail Baryshnikov during her residency for his Hell’s Kitchen Dance.
