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Finde Artikel | Gus Mitchell

Gus Mitchell
Gus Mitchell
Gus is a recent graduate in English from Trinity College, Cambridge. He is especially attracted to music of the late 18th and early 19th centuries, the piano and its history.
Autor:Gus Mitchell
11 von 11 Artikel angezeigt
London

A long-awaited debut from Víkingur Ólafsson at the BBC Proms

Von Gus Mitchell, 14. August 2021
The rising Icelandic piano star made his Proms debut alongside conductor Paavo Järvi and London's Philharmonia Orchestra, in a programme that seamlessly shifted between Classical, Baroque and Modern styles.
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London
14. Aug. 2021
A long-awaited debut from Víkingur Ólafsson at the BBC Proms
Von Gus Mitchell
London

Taking Beethoven as their touchstone: the Artemis Quartet at Wigmore Hall

Von Gus Mitchell, 22. Februar 2020
In an expertly considered programme, the Berlin-based ensemble brought together classical revolutionaries with modern homage to shine fascinating light on the form.
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London
22. Feb. 2020
Taking Beethoven as their touchstone: the Artemis Quartet
Von Gus Mitchell
London

Prom 66: John Luther Adams delivers a massive hymn to the land

Von Gus Mitchell, 8. September 2019
John Luther Adams piece unfolds with the patience and weight of the geological time, leaving a powerful mark.
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London
8. Sept. 2019
Prom 66: John Luther Adams delivers a massive hymn to the land
Von Gus Mitchell
London

A sucker punch: LCO surveys Glass' complete exploration of Bowie's Berlin Trilogy

Von Gus Mitchell, 9. Mai 2019
Glass and Bowie meet again in the concluding chapter of his Berlin Trilogy symphonies at the Royal Festival Festival
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London
9. Mai 2019
Glass' complete exploration of Bowie's Berlin Trilogy
Von Gus Mitchell
London

Heights and depths: Ashkenazy and the Philharmonia in all-Russian evening

Von Gus Mitchell, 28. April 2019
The venerable Russian maestro and Conductor Laureate led the Philharmonia in an all-Russian programme with sensitive charm, youthful fire, and emotional range, with outstanding soloist Esther Yoo.
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London
28. Apr. 2019
Ashkenazy and the Philharmonia in all-Russian evening
Von Gus Mitchell
London

LSO Futures: A mixed night of mostly new music at the Barbican

Von Gus Mitchell, 24. März 2019
The LSO Futures season presented a programme of alternately effective, un-engaging and overpowering music at the Barbican.
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London
24. März 2019
LSO Futures: A mixed night of mostly new music at the Barbican
Von Gus Mitchell
London

Social turmoil and a personal meditation: Kirill Gerstein at Wigmore Hall

Von Gus Mitchell, 24. Februar 2019
Kirill Gerstein’s broad pianistic expertise impresses in a mixed programme at Wigmore Hall.
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London
24. Feb. 2019
Social turmoil and a personal meditation
Von Gus Mitchell
London

Fever pitch intensity from Fischer and the Vienna Phil in Mahler 9

Von Gus Mitchell, 20. Februar 2019
The Vienna Philharmonic perform Mahler’s Ninth Symphony at the Barbican, with deep and urgent commitment under Ádám Fischer.
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London
20. Feb. 2019
Fever pitch intensity from Fischer and the Vienna Phil in Mahler 9
Von Gus Mitchell
London

Winding journeys of song at Queen Elizabeth Hall

Von Gus Mitchell, 20. Januar 2019
The Aurora Orchestra performed and supported a teeming program that took in Norwegian/Appalachian folk music, Mahler and a world premiere.
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London
20. Jan. 2019
Winding journeys of song at Queen Elizabeth Hall
Von Gus Mitchell
London

Debussy, Lindberg, Stravinsky and Janáček speak to war and mortality

Von Gus Mitchell, 10. November 2018
On the 100th eve of the Armistice, Vladimir Jurowsky led the LPO in four radically different meditations on death and eternal life.
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London
10. Nov. 2018
Four composers speak to war and mortality
Von Gus Mitchell
London

Psychedelic musical bestiary meets Beethoven at Barbican Hall

Von Gus Mitchell, 5. Oktober 2018
A glittering performance of Mason Bates’ recent “concerto for orchestra” was a thrilling journey wedged between pretty good Beethoven.
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London
5. Okt. 2018
Psychedelic musical bestiary meets Beethoven at Barbican Hall
Von Gus Mitchell